Exclusive Q&A with Marcella Puppini of the Fabulous Puppini Sisters on Their New Album, The High Life!

Buddy Beaverhausen: On High Life, you have a new sister joining you. Please tell about that, and the departure of Stephanie O'Brien.
Marcella Puppini: In 2012 we had to have a rethink of our line-up, as things were not working as well as we knew they could.

We auditioned a few of the best vocalists in the UK, and were lucky enough to be joined by the portentous Emma Smith – a graduate of the Royal Academy of Music and a descendant of a long line of eminent musicians. Emma has a knowledge of Jazz and the kind of natural swing that is hard to find, and to us (and many of our fans and music critics) her addition to our sound has made us the best we’ve ever been.

BB: Was it difficult to find a suitable replacement?
MP: It’s definitely true that there aren’t many people in the UK, or indeed the world, who possess all the qualities we were looking for, but we were incredibly lucky that the timing was right for Emma to join us. She is much more than a suitable replacement: she is a breath of fresh air!
BB: How many people auditioned to be part of your trio and what were the criteria for choosing someone?
MP: It’s definitely true that there aren’t many people in the UK, or indeed the world, who possess all the qualities we were looking for, but we were incredibly lucky that the timing was right for Emma to join us.She is much more than a suitable replacement: she is a breath of fresh air!

BB: As usual, your selection of songs is very eclectic. How did you decide upon "Rapper's Delight" / "Chandelier" -- that you ladies do expertly?Madonna medley? "Superfragilistic"?
MP: We have a list of songs that we want to arrange that we started compiling in 2004. Some of the songs we did on this album (such as Supercalifragilistic, Girls Just Wanna Have Fun and Changes) were on the original list, while others were gut-feeling decisions. We have honed a pretty sharp sense for what’s going to work, and this time we just trusted our instinct, with no one but ourselves to answer to.

BB: Who is your producer this time round?
MP: This is the third album we have made with Fred De Faye, a wonderful engineer/producer who is also an old friend of mine. Fred is great to work with because even though he comes from the Pop world he really gets the sound we’re after, and he is a great collaborator.

BB: You all look so fetching on this album cover. Who did your costumes, hair and make-up?
MP: The styling was a collaboration between myself and my old Central St Martins College of Art classmate Jason Halsey (with his amazing company called HUNCH). HUNCH also did all the photography and artwork for the album. Our hair was done by the incredible Seema Chopra, who has been working with us for the last 6 or 7 years, and the make up is by Daniela Boccuzzi, an extremely talented old friend of mine. 

BB: Where can we catch you live, on tour, in the UK and in America?
MP: We’ve just finished our UK tour, and are about to go on a little jaunt to Singapore. On the 17th of April we’re doing a one-off performance at Bay Area Cabaret at The Fairmont in San Francisco, as a warm-up for a US tour which is being planned for later in the year. And on the 18th of May we have our headlining show at The O2 Shepherd’s Bush Empire in London, which we’re very excited about.

BB: Explain to us about the tax that is keeping non-US performers from touring in The States.
MP: It’s quite an unfortunate situation: whoever performs in the States will have 30% deducted from their fee, regardless of whether or not they are making a profit on the gig. The tax is refundable eventually if the overall profit from touring the US in the course of the year is less than a certain amount, but claiming it back is complicated, and the artist needs to have enough capital to invest in a tour to start with – or command very high fees! We are now working with a great team of lawyers and accountants in the US, so we are confident that we can come back to tour again.

BB: How much did Emma Smith, your new sister, have input in your selection of songs?
MP: Emma has been very involved in the making of the album. Kate and I did all the arranging and writing of the original material, but Emma has been part of the conversation, and has given great input all along.

BB: Thank you so much! Hope to catch you live and finally get to meet.

High Life is available on cd through Amazon.com & wherever fine music is sold.

Exclusive Q&A with MargOH Channing!

Buddy Beaverhausen:: It was such s great pleasure to finally see your show. At Pangea, your guest star was Broadway's Nellie McKay. Your first show there  had Randy Jones of the original Village People with you. How do you manage to attract such wonderful artists to share your stage?
MargOH Channing: Well, I happen to know both of them from years ago. Nellie was a guest on the Manhattan cable tv show I had, and that's how we met.

BB: What, and who, inspires your material?
MC: I was a big fan of exploitation films, especially Russ Meyers. So I got the idea of doing MargOH from those films. Also, my own mother, who's a lot of fun and has always been a big jokester.

BB: How did you hook up with your co-star Man-ee Champagne? You make a great team.
MC: I've known Manny for over 20 years. It's an old love affair story; we met at a bar. It was in Providence, Rhode Island but we moved together to New York.

BB: Any plans to return to Pangea?
MC: Yes, I expect to be back there on May 19th
BB:Yay! Just after my birthday!
MC: Show's called "Hello, It's Me, Margoh!" We're lining up guests and, of course, Manee will be with me.

BB: What are your favorite movies of all-time?
MC: So many! My number one is Moonstruck with Cher. And anything with Judy Garland.

BB: It was so great seeing your mom with you at the show. She obviously supports what you do.
MC: She's a big supporter. And it was great for me to see her here in Manhattan, at Pangea, supporting me. All my family supports me.

BB: How do you play drunk so well?
MC: I had some practice. [laughs]. But it's acting. Part of my character. I watched Totie Fields, Foster Brooks. But you really can't drink and go on-stage. I learned that early on.

BB: Who are your favorite divas nowadays? And who are your most despised?
MC: That's a tough one. I love Adele. So talented and seems so down-to-Earth. Love Madonna; saw the Rebel Heart concert twice.  I don't really care for Iggy Azealia. Just kind of annoying. Not a big fan of Rihanna, either. A little too over the top for me.

BB: It was my friend, Nick Lion, who introduced me to your show. How do you know Nick?
MC: He's been such a big supporter for me and I love him. But we only hooked up on-line.

BB: Any last shout-outs to our readers?
MC: Thanks for your support. Lots of love. And come see my show in May!

BB: Thank you so much MargOH!
MC: Thank you, Buddy Beaverhausen!

Exclusive Q&A with Diana Ross "Reflections" Biographer Ian Phillips

Although Ian Phillips' Diana Ross: Reflections is an unauthorized bio about the superstar diva, it is factual and not at all gossipy or salacious. We did this Q&A together so he can tell you all about it. It is available in hardcover, paperback and on e-book formats at Amazon.

Buddy Beaverhausen: Let's talk about your book Dian Ross: Reflections, and what motivated you to write it.
Ian Phillips: I've been a fan since the age of three years old! Some find that hard to believe, but in the early '80s, my mum had a huge collection of Motown on vinyl and quite a few Diana Ross/Supremes LP's and the very first song I vividly recall hearing and loving was 'Stop! In The Name Of Love', and from thereon, I was hooked! My motivation in writing the book was out of a lifetime of love for Ms. Ross, my respect and admiration for her talent and body of work and also as seldom a book has actually concentrated on her actual WORK, her groundbreaking achievements in her career and revolutinary cultural impact as a black artist, paving the way for so many artists that came after her. Of course, I'm not the first and only person to acknowledge that, but I think that her work has sometimes been overshadowed in the media by hearsay and gossip, the so-called diva image that the press likes to dwell on. First and foremost, it's her work and achievements as an artist that has made her a legend in her own time and that's what we should all be talking about.

BB: What really fascinated you about your subject in this case?
IP: I think like all her fans, she remains a fascinating artist to me as there really is no one else like her. She has a very unique voice and a mystique that are completely her own. I guess some of the bad press she has gotten over the years has made all her fans become even more supportive of her.

BB:What sets your book apart from others on the same subject?
IP: Well firstly I don't compare my work to anybody else's. Every writer has their own way of telling a story or expressing an opinion, but it really all goes back to what I said about this being really the first book to actually chronicle each and every one of her albums in full, to talk about the creative process behind the recordings, to list each track and review in detail, which I hope is a nice surprise for fans. I also loved writing about her films - especially Lady Sings The Blues, which has to be my favourite DR film - in fact my favourite film of all time.

BB: What other books have you written prior to this one?
IP: My previous book was also on Diana Ross with a similar concept but to cut a long story short, I had a hell of a time with my first publisher as they mucked so many things up in the book, kept me waiting nearly four years to actually publish and in the end I decided to withdraw my contract - which they threatened legal action against - but I found out that they had broken several clauses in the contract, not least by the ridiculous amount of time they waited to publish it. So Diana Ross Reflections is a re-working of the first one, though is twice in length now as I wanted to expand on the details and give it more depth which it seriously lacked in the first book - so, in that, it's all been a blessing in disguise. I have a totally different book coming out early in the new year, which takes a look at the UK Skinhead culture and have one planned on Kylie Minogue, which, all being well, will be done and released late next year.
BB:Will we find any juicy gossip or scandalous stuff in the book?
IP: Nope. I think Ms. Ross has had enough scandal and gossip written about her, and like I said, I think it's overshadowed her actual work. There have been similar kinds of books written about the Beatles and the Rolling Stones, so I thought it was way overdue that Diana Ross have this kind of book out there. It's for those that are interested in her work, her artistry, her many career achievements. You won't find any dirt in my book as that's not what I'm about. Ms. Ross deserves respect for all that she's achieved and done in her life so I didn't want any negativity and as such fans have loved the book for that very reason. It really tells you why she is the legend she is today. I'm sure some will find that boring but, like I said, it's written for people who have an interest in her music, films and long career.

BB: Some might ask how your book, being unauthorized, can be trusted in its account?
IP: Well, in trust, I think I keep my opinions objective, the facts are often counterpointed by using quotes from those that worked with her, but again there is nothing controversial or any hidden agendas in the book; I wanted to evaluate and celebrate her 50 + year career so I don't think there's anything that might leave the reader wondering whether its true or not as there's nothing untoward written.

BB: Have you read Mary Wilson's memoir, My Life as a Supreme and, if so, what did you think of her unflattering portrait of Miss Ross?
IP: I had the pleasure of speaking with Ms.Wilson when she was touring in the UK. All I'll say is what Ms. Wilson said: It was only the business side of things that came between them and an alleged quote from Ms. Ross is - which I agree with - the word business in show business is no accident. They are both fine with each other today and the past is past. They were all very young girls at the time and have all grown up. That's all I want to say on that.

BB: Diana has a large gay fan base. Anything you'd like to say to her LGBT readers here?
IP: She sure does have a huge LGBT fan base but that's not her entire audience. Global icon is a more fitting way to describe Ms. Ross and the book wasn't written with just her gay audience in mind - I say that as a gay man myself so as not to be misconstrued - and I hope all will find the stories about her body of work interesting, as well as the accompanying visuals.
BB; What's your favorite Diana song?
IP: Ohhhh... now I'm always being asked that and it's a difficult one as there are so many.....maybe at a push 'Ain't No Mountain High Enough' but I have so many favourites.

BB: Would you recommend your book as a holiday present?
IP: Well, I'd like to think so, for fans of Diana Ross of course.
BB: Any last words for our readers?
IP: Just thank you for reading, thank you to all the support out there - the people who supplied some of the beautiful photographs which include Ernie Florence, Dani E. Chandler, Fred Rimando, Carolin Kayser and the late Al Abrams who was Motown's first ever publicist. Mr Abrams also wrote a lovely foreword for the book as did legendary Motown songwriter Janie Bradford. There's also Pam Sawyer, Scherrie Payne and Lynda Laurence I'd like to thank here too, for their wonderful stories they shared with me about working with Ms. Ross. Couldn't have done it without all of your help guys, and of course Teddie Dahlin, owner of the publisher New Haven Publishing, for believing in the project and wanting to actually publish. It's been a great journey and I hope I've done Ms. Ross proud.

Exclusive Q&A with Diva Impersonator Dorothy Bishop

I interviewed Dorothy Bishop over the phone. Ms Bishop has a rare talent: she is a woman who impersonates women. Her show at NYC's Metropolitan Room has been bringing in a growing audience and receiving wider attention. 

My friend Nick Lion tipped me off to Dorothy's show, and I will be going to see Dorothy perform on December 23rd at 8pm. Here, then, is our Q&A, with Dorothy asking me the questions at the outset:

Buddy Beaverhausen: So good to finally get to talk with you, Dorothy.
Dorothy Bishop: Same here. What is your background? Were you ever an actor?
BB: No. I studied acting at HB Studio briefly, but I've mostly wanted to write. I did have a cabaret act  during the '70s.
DB: Oh, great! What venues did you do?
BB: Rose's Turn on Grove Street when that was called The Duplex. The Bushes of CPW, The Ballroom in Soho, and some other joints that, offhand, I forget the names of.

BB: When I think of women who are celebrity impersonators, I think of Debbie Reynolds, Edie Adams and, certainly, Marilyn Michaels. Did any of these ladies influence you and your work?
DB: Well, yes, they were all influential to one degree or another. Especially Marilyn Michaels, who is my absolute idol. I've friended her on Facebook and keep inviting her to come. I'd love it if she could. It would be a dream come true!

BB: I interviewed Marilyn Michaels and she told me she developed her talent to impersonate as a teenager. When did you start to realize your talent at impersonations?
DB: Oh, much later! I began doing my show as a singer when I was performing in. I have a background in opera at Yale. But I found that when I threw an impersonation or two into my act, it helped bring in more of an audience. So that's really where my impersonations shows were born.

BB: Have any male impersonators influenced or impressed you?
DB: Oh, wow, yes indeed! All the drag queens. I've learned so much from them.

BB: You have quite a residency at the Metropolitan Room. What other rooms in NYC have you played?
DB: The Iguana originally. I've performed on Celebrity Cruises and the whole NYC cabaret circuit, actually, before ending up at the Metropolitan Room, where I'm very happy to say I have that monthly residency now.

BB: What makes the Metropolitan Room home to you?
DB: Well, first and foremost, Bernie and JoAnne have been so generous and wonderful to me. They are so rare and refreshing in what can sometimes be a cutthroat business. Most clubs function on the idea that if you don't bring in a crowd at your first show, that's it for you! But Bernie and Joanne are completely supportive and smart in the sense that they realize it takes time to build up an audience, which is so unusual in the cabaret world.
BB: They have been very supportive of me and my blog as well, so I know just what you mean.
DB: They're great! And I'm happy to say that my audience has grown and we're pulling in bigger crowds all the time.

BB: It looks to me as if you'll be booked there well into 2016. Am I correct?
DB: Yes. I'm thrilled!

BB: What dozen divas do you plan on presenting at your holiday show on December 23rd?
DB: Without giving too much away, I think you can count on my doing Madonna, Cher, Joan Rivers -- whom I didn't do for a while after she passed -- but now I think it's ok to bring her back. and Shirley Bassey, who is new to the show.

BB: How many outfits does this take?
DB: I have one versatile outfit with various accessories onstage as well as a clothes rack. Plus I might go backstage, during a video, to change.

BB: I was introduced to your show through Nick Lion. How did you two connect originally?
DB: Through Facebook actually. We were planning on my performing at his club, Icon, in Astoria. But we've stayed friends and he has come to many of my shows at the Metropolitan Room and is an ardent supporter. I adore Nick!

BB: Did you ever try to impersonate a diva and, for whatever reason, it didn't work out?
DB: Yes. A few were out of my range. I tried doing male divas, too. Doing Steven Tyler wrecks my voice, but I can do a mean Freddie Mercury!

BB: I understand you have a very large gay fan base. Gives new meaning to the term "Friends of Dorothy." Anything you'd like to say to them?
DB: Where would I be without you? I've learned so much from my gay friends. They taught me so much about doing my make-up and wigs! They've been so very supportive and I'm so, so thankful!

BB: Any last shout outs about anything we may not have covered?
DB: Just that I'm very grateful to be able to do what I do. Come see me at the Metropolitan Room on December 23rd at 8:30. Again, thanks to Bernie and Joanne and the remarkable technical crew and staff at the club, and thanks to you, Buddy, for doing this Q&A with me!

BB: Dorothy, I thank you for your time and your patience in pulling this together. So nice talking with you and I look forward to seeing you on the 23rd and in the new year as well. And then I get to write about you all over again!
DB: Look forward to seeing you!

Exclusive Q&A with David Kenney

David Kenney has a radio show on WBAI-FM called Everything Old Is New Again. He will be bringing a holiday show to the Metropolitan Room on Thursday, December 17 at 6pm, benefiting the radio station. Julie Budd will be among the singers that night. David won this year's MAC (Manhattan Association of Cabarets and Clubs) Board of Directors Award. We sat down recently to do the following interview. Again, thanks to Richard Skipper for getting us together. richardskipper.com


Buddy Beaverhausen: Tell us about your upcoming show at the Metropolitan Room.
David Kenney: It's our third holiday concert there. So it's sort of become our home. It's a two-hour show at a reasonable ticket price, so nobody will feel cheated

BB:What led you to that venue in the first place?
DK: It has a great art-deco decor that sort of suits our shows. And Bernie and Joanne are so easy to deal with and such nice people.
BB: I love those guys!

BB: Were you born and raised in NYC?
DK: No, I'm from New Jersey.
BB: Isn't everybody? I a Jersey boy, too.
DK: Where are you from?
BB: Paterson. You?
Dk: Kinnelon, actually. Do you know where that is?
BB: Well I know it's near Wayne and the Pompton Lakes area.
DK: Yes, just a little west of that.

BB: What music influenced you growing up there?
DK: Well, I was exposed to everything. My dad liked -- and played classical on piano. And mom loved playing The Beatles and other 1960s pop music. So it was very eclectic.

BB: How did you choose your show's ensemble performers?
DK: It's a very mixed selection of artists I've admired and/ or worked with. Usually I supply the band but this year, for the first time, each singer will bring his or her own accompanists.

BB: Do you listen to much current pop music on the radio these days? And if so what do you think?
DK: My teenage son loves to listen to rap music but I personally don't find musical value in it. Too much egotism. bragging as well. After I drop him off, I change the station.

BB: What do you think about Lady Gaga, who seems to be positioning herself more toward classic pop music?
DK: I think she's very wise to do that. She has positioned herself for the long run. I think she has a great voice, and I admire her for that.

BB: Who would be the dream artist you'd like to have in your ensemble?
DK: I already have my dream team this year.

BB: I have a lot of LGBT readers. Anything you'd like to say to them?
DK: I support equality for all, so I support your struggle for it, and stay strong.

BB: Thank you, David. Any last shout-outs to our readers?
DK: Certainly! Come see our show at the Metropolitan Room, Thursday, December 22nd at 6 pm!

Exclusive Q&A with Sally Darling

Sally Darling can hide her Southern accent but not her Southern charm. She is, first and foremost, a lady, and exudes a lady-like air, even over the phone. She is a darling indeed. Here is our Q&A together. She will be back at Don't Tell Mama Dec. 13th and 19th to brighten up your holidays. Thanks to Richard Skipper for putting us together.
http://www.richardskipper.com


Buddy Beaverhausen: Let me start by asking you, Sally, where you were born.
Sally Darling: Thank you, Buddy. I was born and raised in Virginia. So basically, I'm a Southern girl. But, of course, in the theater, you have to get the Southern accent out of your voice. Also, I grew up emulating the stars in the movies when they spoke with mid-Atlantic accents. "Classy American" accents.

BB: What was your upbringing like?
SD: It was strange, because I grew up in a large house that my grandmother (my father's mother) owned and it was fabulous for playing hide-and-seek in. But there were also a lot of household do's and don'ts that were very stringent and tough at the time.

BB: What kind of music did you listen to when you were growing up?
SD: It was interesting because my dad loved theater and he loved show tunes. We had a piano and he'd play them and sing. My brother loved classical music. So I grew up hearing both!

BB: You were talking about stars with neutral accents, Who did you emulate in particular?
SD: I didn't really try to copy anybody especially. I just loved the "clean" accent of the studio-trained actresses of the day.

BB: Is Sally Darling your real name?
SD: Darling is real. My first name is actually Sarah but I've always called myself Sally.
BB: So it has nothing to do with the character from To Kill a Mockingbird?
SD: No, not at all.

BB: Tell us a little bit about your show "Perspectives," which will be at Don't Tell Mama, 5pm on Sunday, Dec. 13th.
SD: Well, I adore Sidney Meyer [club owner/manager] and his cabaret. I love playing that room! It's gotten to feel like home for me.
BB: I know Sidney from my old cabaret show days. He's just wonderful!
SD: I couldn't agree with you more.

BB: For "Perspectives," how do you select your songs? How did you make your choices?
SD: The theme for "Perspectives" is how we see things. How each of us, individually, sees things. And our reactions to what we see are filtered through our basic nature, our upbringing, et cetera.
BB: And how did you select the songs for this act?
SD: Well, I have to confess that, very often, when Matthew Martin Ward and I create a new show, we put together a group of songs we love and, hopefully, a theme will emerge. Once we get the songs we want, and we get them in the order we want, then I write the text that will add a structure, an order to it all.

BB: What songs might we expect from this show?
SD: Rodgers and Hart's "Falling in Love with Love," "Willow Weep of Me," Jerry Herman's "I Don't Want to Know" and a number of favorites from the Great American Songbook!

BB: You have a distinct gay following and, as my blog appeals to a large LGBT audience, I was wondering if there's anything you'd like to say to them in particular.
SD: I think people are people and I see my audience as individuals. Gay/straight, black/white, male/female. I think everybody deserves respect and equal treatment under the law. I'm very much in support of that.

BB: Sally, thank you so much. I look forward to seeing you at Don't Tell Mama on the 13th.
SD: Same here, Buddy! See you then. It was delightful talking to you.

EXCLUSIVE Q&A with MARCELLA PUPPINI ~ part 2

Marcella Puppini's first name is pronounced Marchella; not Marsella. She has just released a solo album, which we discuss in our Q&A. She is also the founding member of the Puppini Sisters, who have a new album coming our way in early 2016. She is a gifted singer, trained in opera, an artist and a clothes designer who's worked for Vivienne Westwood. I spoke with Marcella over the phone. She resides in London.

Buddy Beaverhausen: What drew you to the '30s-'40s big band and swing styles, and harmonies with The Puppini Sisters?
Marcella Puppini: It really came out of loving The Manhattan Transfer, though their harmonies are a bit more strident than ours. I've always been very into harmony music and jazz. I was always into big band music, I love Duke Ellington, and then I got into The Andrew Sisters. And that's when I got the idea of girl-group harmonies and The Puppini Sisters.

BB: Rumor has it The Puppini Sisters also have an upcoming album. Is that true?
MP: Absolutely. We're all very excited. It's set for a March 2016 release. We just finished recording it at the end of September.

BB: I last saw the group at BB King's in NYC. Will the group be touring again in the USA?
MP: Yes, I expect so. The laws have changed regarding taxes but we're figuring out a way of doing it.

BB: Now that we're in this election year in America, what is your view from abroad on what's going on here politically?
MP: I just find it really, really frightening! I think we're all, frightened for you in the States. If conservatives have their way, it would be very dark science indeed for everyone but white, straight males.
BB: I find the whole "open carry" gun thing total insanity. Thank God we don't have that in NY.
MP: Fabulous. Over here, we just don't understand that at all. And the whole religious issue. Isn't it part of your Constitution that denies that?
BB: Yes! Absolutely.
MP: So many decisions are being made on "Christian values", and I don't get it.
BB: Neither do a lot of us.
MP: I even got into an argument on Facebook with someone. Stupid of me, but I couldn't let that slide by. I think your Republican Party is pushing a dangerously fascist-like agenda that we, in the UK and Europe know too well.

BB: Might you be coming to NYC to promote your solo album?
MP: Yes, I'm speaking to an agent about this. We're being promoted on an American label now, which is good news.

BB: I'm sure you're aware you have a large gay following. And my blog has a large LGBT fan base.
MP: Wonderful!
BB: Any shout-outs to your LGBT fans?
MP: I have enormous gratitude for a community that has supported everything I have ever done, and that has shown me love (and fun!) since I first moved to London. I'd be nowhere without the drag artists I worked with at Madame JoJos (when I was a tequila girl), who taught me how to put on make-up properly. Or without the girls at the Candy Bar in Soho, where I used to do podium dancing when I was a student. (That was fun!!) Without the gay community, the world would be such a sad place indeed. So much art and creativity comes to us from that community and enriches us all! Plus, so much strength for positive change.

BB: Much success with your new album and where can fans find it currently.
MP: Currently at Amzon.com.

BB: Thank you very much for taking out your time to do this Q&A with me.
MP: Thank you! And I love reading your blog. I enjoy your edge and your comments. I'm not going to use the word campy....
BB: It's ok, feel free! I love it!
MP; [laughs] Ok. It's a dream-come-true blog. You like all the things that I like!

http://www.marcellapuppini.com

EXCLUSIVE Q&A with MARCELLA PUPPINI ~ part 1

Marcella Puppini's first name is pronounced Marchella; not Marsella. She has just released a solo album, which we discuss in our Q&A. She is also the founding member of the Puppini Sisters, who have a new album coming our way in early 2016. She is a gifted singer, trained in opera, an artist and a clothes designer who's worked for Vivienne Westwood. I spoke with Marcella over the phone. She resides in London.

Buddy Beaverhausen: You were nominated Mayoress of Camden a couple of years ago. What would that title entail you to do?
Marcella Puppini: It's totally honorary. In fact, I wasn't nominated; I was chosen by the Mayor of Camden to be his escort at gala events. We worked with The Amy Winehouse Foundation and I put together other goodwill events for the borough of Camden in London.

BB: Let's talk about your new album, Everything Is Beautiful. How would you describe its overall style?
MP: I call it electro-vintage. An electronic recreation of styles such as Swing, Motown, some atmospheric noir-ish ballads, torch songs. So. it's a reimagining of those styles.
BB: I thought I detected a bit of Karen Carpenter on your vocals for "Boom Boom," the opening track.
MP: Oh, I adore Karen Carpenter! She's an idol of mine. Thank you so much. Maybe it was a little subconscious that I sounded like her on the song, then.

BB: Let's talk about "Boom Boom," which is the first track on the album.
MP: Yes, all right! I wrote that song to express great optimism. It's a happy song, I think. And I really had a Motown rhythm in mind. When it came to the bridge, I was just making up words like "zoom zoom" and "boom boom." and then I realized that that should be the chorus.
BB: Well, I love it.
MP: Thank you very much.

BB: Your voice is classically trained, but at university, you majored in fashion design. Why was that, and what was it like to work for Vivienne Westwood?
MP: I went to college in London, where I wanted to stay. At the time, the Music department was not offering anything, so I thought another talent I had was art and drawing, So, I applied and got in, which amazed me. And I was so lucky to get to work for Vivienne Westwood. It was a great experience because I got to work with such talented, creative people. It was a short period of about two years but it was really wonderful.

BB: You were born and raised in Bologna, Italy. When did you move to England?
MP: When I was 18.

BB: Who were Marcella & the Forget Me Nots?
MP: It came together in London, where I was working on a show and had to put together an all-girl orchestra. The bass player in our orchestra used to be with Courtney Love's band. It was really great fun and was meant for pure artistic expression.

BB: You had a huge club hit here in the United States as the vocalist on Rich B's "Revolution." Did you know that?
MP: Yes. Rich and I met at a club in Soho where I used to be a cocktail waitress. Yeah, just like the song "I was working as a waitress in a cocktail bar...." [laughs] Rich and I became great friends. In fact, I met my husband through Rich. We fell in love at one of Rich's parties. "Revolution" was recorded in 2002 and reissued in 2012, and that was when it became such an international hit.

BB: What musical artists inspired you when you were growing up?
MP: My mom used to listen to David Bowie a lot when I was about eight-years-old while she was doing the housework. I really got to love his music. Then, I got into Kate Bush. I don't know if she's known that well in the States.
BB: Absolutely! She's a star.
MP: Great. I was completely enamored of her in my early teens, and then I became completely enamored of Jazz. I went looking back... to Billie Holiday, Sarah Vaughan. I later was crazy about The Manhattan Transfer as well, and that's how I got into the whole Swing sound.

http://www.marcellapuppini.com

[Part 2 of this interview tomorrow. Lots of surprises and new revelations!]

This Is It! Exclusive Q&A with Melba Moore part 2

Melba Moore basically needs no introduction. She is a diva to be reckoned with; one who has conquered the Broadway stage, the recording industry and, now, cabaret. I am thrilled, then, to present to you our exclusive Q&A. This is it! 

Buddy Beaverhausen: Besides working with such luminaries, you are an icon in your own right! What was it like to win a Best Performer in a Musical Tony for Purlie! at such a young age?
Melba Moore: It was so exciting! I had no idea what was going on around me. Dizzying! I have to watch the videotape today to know what was going on. [laughs] I mean, I spent so much time learning how to be that character and have her accent, and even learning what was stage right and stage left at that time! At the Awards ceremony, because it was on tv, all the lights were on and I could see Pearl Bailey! I could see Lauren Bacall! It was incredible! Jack Jones was the announcer on that show and he was always drunk! So he said my name all wrong. Suddenly, I heard the audience chant "Melba Moore! Melba Moore!" I was so discombobulated that night.
   But it still has had such a dramatic effect on my life because people truly appreciate and respect the Tony Awards.

BB: Before Purlie!, you were in Hair. And you did the famous nude scene in that?
MM: Right.
BB: Were you in Hair at the Public Theater or when it moved to Broadway?
MM: When it moved to Broadway.
BB: I've interviewed Lala Brooks and know she was in that.
MM: I love her! We sang "White Boys" together. We had a ball. She is wonderful!

BB: What directed you towards being a disco diva?
MM: My label knew that was what was happening at the time and, so, I had many hits in that genre, happily! But it was the times; I mean, even Ethel Merman put out a disco album.
BB: [laughs] Well, it wasn't quite the same as yours!
MM: "This Is It" was very successful for me. Van McCoy helped usher this sound in and I had a big hit with "This Is It"!



BB: What drew you to the Metropolitan Room as a room you'd like to perform in?
MM: Well, my team and I scoped it out and thought it had a great vibe. Also, Bernie and Joanne are wonderful to deal with. The Metropolitan Room has such a great feel and style to it, and I can have an intimacy with my audience which is wonderful! And cabarets are making a great comeback now. It's so great to meet with our audiences.
BB: Can't wait to see you at Bernie's place!

BB:You were marvelous at the Sarah Dash birthday brunch at 54 Below. How long have you known Sarah and Nona Hendryx?
MM: Well, Sarah used to work for my production company. She and Nona are like family to me! They're both wonderful. Sarah is so sweet, generous and kind. And so genuine.



BB: My blog has a lot of LGBT readers. I think they'd be curious if you've ever seen yourself impersonated or lip-synched to live.
MM: No, actually I'm aware of all this but I've never seen myself impersonated. Very flattering though!



BB: You have a new cd coming out. Please talk about that.
MM: Yes, it has a new single from it called "What Can I Do to Survive?". It will be available on-line and at stores everywhere.

BB: Any last shout-outs?
MM: Yes,thank you!  I want to thank all your readers for their support. It means so much to me.  I think my show at the Metropolitan Room on October 30 will sell out, so please buy tickets now while they last. Thank you, Buddy Beaverhausen! And I  hope you'll enjoy my soon-to-be-releases album! Bless you all! Lots of love!



http://www.melbamoore.com
  

Exclusive Q&A with Hot New Rising Star, Jimmie Bush

I look forward very much to seeing Jimmie Bush at the Metropolitan Room. He is a college football player turned crooner. I have heard him on iCloud, YouTube and other places on-line and he has a remarkable voice. Many thanks to Mary Cordle Bush, the best stage mother a boy could have, and to Richard Skipper http://www.richardskipper.com
for arranging this Q&A. Reserve now to see this very promising performance by calling the Metropolitan Room at 212-206-0440. 

Buddy Beaverhausen: I'm excited about seeing you on September 12th at the Metropolitan Room. Are you psyched about debuting there?
Jimmie Bush: Oh, yeah, I'm very excited to be there! I've never been to New York before. So, I'm looking forward to the whole experience. I know Metropolitan Room is the top cabaret in the City, so I'm really looking forward to performing there.
BB: I think you'll love it. Metropolitan Room has a very classic art deco look that will be perfect for you.

BB: You were born and raised in St. Petersburg, Florida. Is that where you currently reside?
JB: Yes, I've been here all but three years of my life, which is when I lived in California. I originally wanted to pursue a career in professional football but I love entertaining and that's what brought me to the Metropolitan Room.

BB: What made you, at your age, embrace the music of Englebert Humperdinck and Tom Jones?
JB: Oh, just growing up with that kind of music. My father was a professional singer and he sang those songs and I always liked them.

BB: What other songs influenced you? On the radio or whatever?
JB: Motown. Especially The Temptations. I like James Brown and his high energy and everything he brings to the stage when he performs.

BB: What can people expect from your Metropolitan Room debut?
JB: They can expect some surprises, ballads, songs they might not expect from me. I'm pretty laid back and I think the audience can expect to relax and have fun.

BB: Were your parents supportive of your singing career?
JB: Yes! Very supportive. They really didn't want me to be a pro football player. They were afraid I'd get injured ~ which I did. But I had my singing to fall back on and everything's worked out for the best.

BB: Are there any contemporary artists on the radio today that you admire?
JB: Sam Smith, the English artist who sounds as good live as he does on recordings. I really admire his work a lot.

BB: Do you have any celebrity crushes?
JB: Wow! Where do I start? I'd have to say Ronda Rousey is on the top of that list; I think she's hot.

BB: What do you think are your strengths and weaknesses as an artist?
JB: I think my strength lies in my power ballads. Weakness could be my patter. I'm from the south, so I might have to work on my accent and diction.
BB: I don't think you need to worry about that. Be yourself. Southern accents can be charming.
JB: [Laughs] Thanks!
BB: Yeah, just relax and have fun.

BB: What do you like to do to relax?
JB: I like to go to the gym a lot. I have an athletic background, and it helps me relieve stress. I also love going to the beach; helps me relax.

BB: How did you get booked at the Metropolitan Room as such a newbie in town?
JB: Well, that happened through my manager, George Bettinger of The Mom and Pop Shop. He sent them my cd and I guess they liked what they heard, so now I'm on my way there. Looking forward to it very much.

BB: Care to talk about your cd a little?
JB: Sure. It has some country on it along with ballads and standards. It has a lot of diversity. I really don't like to stick to any one genre, so it's kind of eclectic.

BB: Any last shout-outs?
JB: Definitely thanks to George for making this NYC event happen! My parents, Mary and Jim Bush, for supporting me. And all my fans out there, and to all my new audience in NYC! Very grateful and thanks to everyone!

Exclusive Q&A with Cabaret Crooner David Meulemans

David Meulmans will return to the Metropolitan Room this Saturday, August 22, 2015, at 7pm. David is from Appleton, Wisconsin but now resides in Florida. We spoke by phone. Our conversation was great fun and I found David to be not only talented but thoughful, reflective and extremely articulate.

Buddy Beaverhausen: What can the uninitiated, like myself, expect from your show this weekend?
David Meulemans: You can expect the unexpected! Magic! The show is called "Lucky to Be Me," as I've been grateful lately for so many things, and it will be about that. We hope to entertain and also to have fun in the process.

BB: What kind of songs will "Lucky to Be Me" encompass?
DM: Classics from over the last 100 years or so, like "Pennies from Heaven" and "Life Is Just a Bowl of Cherries," but also more contemporary songs, a lot that people will know. A pretty good mix, all in all.

BB: You live in Fort Lauderdale, is that right?
DM: Yes. I'm down here at the beach.
BB: Oh, that's nice! Do you ever perform in Florida and, if so, do you find audiences differ there from those in the NYC area?
DM: That's a really good question. Most of my audiences here are retired New Yorkers. But I think the NY crowd likes a broader range of material, which we'll be doing, whereas the retired New Yorkers prefer music they're familiar with.

BB: What do you like to do when you come to NYC?
DM: I love visiting the City, going to shows, museums, restaurants, theater. I love seeing friends. I love seeing the work they do. 

BB: What type of music influenced you when you were growing up?
DM: I grew up in a house where my parents played a lot of 45s from the 1950s. Johnny Cash was played a lot. Then, I went off to music school and studied opera. I became a big fan of Broadway musicals. That's why cabaret appeals to me so much. I get to mix all the styles. At the Metropolitan Room I'll be running the gamut of different types and styles of music I love, It will be a very eclectic selection.

BB: How did your family encourage you as a musician?
DM: I'm not sure that they did. When I went off to music school, they thought I was crazy. They were concerned because they saw the impracticality of it. I've spent much of my adult life working in the corporate world. I would much rather be out singing.
BB: I just retired from my day job this year.
DM: How is it?
BB: I love it. Never been so busy.
DM: I'm looking forward to that point where my priorities can be more my own.

BB: Do you keep a place in NYC? Go to a hotel? Stay with friends?
DM: I like to stay at bed-and-breakfast guest houses in different neighborhoods. This time I'll be staying off Central Park West.
BB: Very nice!

BB: When you're not performing, how do you like to relax. 
DM: I love gardening out in my backyard. I find that relaxing. I grew up on a farm so I love planting And helping other performers get their acts together; I really enjoy that in my spare time.

BB: What was your favorite experience performing and what was the worst?
DM: I really think performing at the Metropolitan Room for the first time was my favorite. It wasn't the first venue I played in NYC but it was the most satisfying for me. I just had a gig in St. Louis where I opened for Christine Ebersole; that was a real highlight. The worst was a job delivering a singing telegram. That's all I'm going to tell you about that. 

BB: Any last shout-outs to our readers?
DM: Of course! Come see us perform at The Metropolitan Room. I have a terrific band I'm very proud of! Thanks to Richard Skipper for promoting our show, and thanks to our fans! See you 7pm this Saturday, August 22nd, at the Metropolitan Room!

Buddy Beaverhausen would also like to thank Mr. Skipper http://www.richardskipper.com for arranging this interview. And I thank David for taking out the time to talk with me. Much luck on Saturday night; see you then! For reservations, please contact the Metropolitan Room, 212-206-0440 while seats are available.

Exclusive Q&A: Catching Up with Larry Costa

Buddy Beaverhausen: Hi, Larry! So good to talk with you again. You have so much going on with your career that I felt it was time to catch up. First, tell us about your new album, Crooner.
Larry Costa: Yes, I agree, I have so much news to share that it is perfect timing for us to connect again. I have been working on the album Crooner. Crooner has a collection of songs from the American Songbook, plus one original song, “A Time For You And Me”, written by JR Bryan. The experience of putting this album together was fantastic. A live orchestra was used for the recordings and the vibe is a modern Latin feel which was influenced from my time that I lived in Brazil. The ocean breeze, the mountains, and the local flavor is reflected in this album. I suggest listening to Crooner while driving a convertible a sundown.

BB: What is the sci-fi film you were recently in where you played a scientist trying to save the planet. And from what exactly?
LC: Funny you should ask. There are actually two films that are coming out soon in the sci-fi genre. First we have E-19 virus, the entire planet gets wiped out except for a few kids and zombies. I play a scientist who is attempting to assist with the development of the anti-virus. Do I succeed in saving the planet? I can't say, but I will tell you to watch my last scene very closely or you will miss what happens next! Yummy! Next, we have Apex Rising, this film is an epic, two years in the making. I fly planes, I sing a song, I fight zombies, I save the world (maybe) all while looking great as CIA Agent Brandon.

BB: Didn't you recently do a sitcom pilot, playing a dad? Tell us about that.
LC: This pilot is for CBS, I cannot divulge the plot, or the name, or when it is coming out, or anything really, due to a confidentiality agreement that I signed, but I can say that it's the first time I was Dad to a teenage boy. Which brings me to the real life news that I am in the process of adopting a teenager through the foster care system. The process is long and extensive and I had a few bumps in the road, but nothing I could not overcome. I'm looking forward to the final day when I can open my home and life to this wonderful teenager that needs a chance in life.

BB: What's this project from PBS I understand you're a part of?
LC: The project is still under wraps, but this is a documentary that is following the lives of a few up and coming actors in New York City. Over the course of ten months, with bi-weekly video updates, we see what actors go through today to gain recognition and make a living in entertainment. The interesting change in the way that actors take control of their career is so different these days compared to about 10 or so years ago is that each one can be his/her own agent, marketing pro, booker, and manager. We are one stop shopping for career advancement.

BB:Pretty full plate. What else might be on it?
LC: There is a really cool TV show coming out soon, again, I can not say the title or plot, but I can say that I am in good company with Jane Hagerty (Tommie Hilfiger's neice), and Casey Bartolucci of Larry Ravioli fame, and you will be seeing me sing with puppets and Barbra Streisand (or not Barbra Streisand). Watch and find out! Additionally, I am working on two new albums, a Christmas album and an original song album that should be out next year.

BB: Am I right that I read something about you and Liz Taylor's jewelry?
LC: Im impressed that you found out about this. Back in the day, I was an undercover agent working for insurance companies, Liz was celebrating her 60th birthday at Disney. Her jewelry was stolen and I was responsible for finding out what happened. Not only did I find the jewelry, but I had to go to Mexico to get it. It was such a crazy case, everyone was really uptight and on edge. I did get a nice ring as a thank you from Liz though.

BB: If you had to choose between a career in acting or one in singing, which would it be?
LC: Although I love both mediums of entertainment, I would have to choose singing. Acting is wonderful, but there is something more about singing. Singing is acting. I tell the story through song and I get a “release” from my soul when I complete a song. I bring emotion to the table and tell it like it is. Singing completes me.

BB: Did you get to relax at all this summer?
LC: Wait a minute, did summer start yet? I haven't had one minute to myself this year. I did travel a lot doing appearances, so, when I have to fly out, I consider the time on the airplane as my quiet time, but then I start thinking again and come up with five more things I have to add to my To Do list.

BB: Larry, we're looking forward to Crooner. What do you think sets this apart from previous albums you've done? And how many have you recorded now?
LC: Crooner is now available for digital download or physical cds shipped to you directly from the record label. Crooner is number four in the lineup of albums. I had such a great time putting this together, especially with the live big band and arrangements. The songs are covers of classic tunes but the music gives it a breath of fresh air. The artistic cover and album art was shoot from famed photographer Barbara Sklar in Warwick NY. We set up camp at a wonderful eatery called Grappa for the photo shoot. I suggest if you live anywhere nearby to stop in and tell them Larry sent you. I can also tell you that the first three albums will no longer be available for purchase, when Crooner goes global distribution in November of this year, so if you have an earlier album. hold on to it, might be collectors items in the future. You can check out free songs and the album art at https://tatemusicgroup.com/store/album/847726099020
and you can watch the TV commercial here:
https://www.youtube.com/watch?v=z3tQFOUJKLE&feature=youtu.be

BB: How's Larry Ravioli?
LC: Oh how I love Larry Ravioli! He was one of the most fun characters I have ever played. The cast and crew were wonderful to work with and I learned so much on that set. At present, I am in talks with Hulu for a short series, but I have to admit that I might be dead before this happens, everything takes forever in this business. Larry Ravioli needs to see the light of day and shared with the world, he is the poor man's James Bond that the audience roots for and ultimately he lets everyone down. He just cant help being so adorably lost and out of the loop.

BB: Any last shout-outs?
I just want to thank you, my friend, for the opportunity to do this interview with you. I love what I do and I love all of the people I have met along the way. We are all friends and I feel the love.
I also want to mention that I am also a published author with two books sold globally so far and I thought you guys might like to have a look and see what they are all about. The first book is
MASSAGE MIND AND BODY by Penguin/ DK and the other is REVERSING THE INVISIBLE PERSON COMPLEX. These can be found in stores and on the internet. So, until next time, I wish you well and let's make some magic!

Exclusive Q&A with Luci Martin, formerly of Chic and Next Step

Luci Martin was one of the voices of the femme-fronted classic-disco group, the immortal Chic. The girls have formed the new girl-group, Next Step. They will also be appearing at 54 Below's brunch celebrating Sarah Dash's 70th birthday! It was my pleasure to have the opportunity to ask Ms Martin some questiions today.

Buddy Beaverhausen: I am so looking forward to seeing you at Sarah Dash's birthday brunch on Sunday at 54 Below. How well do you ladies know Sarah?

Luci Martin: Although I do not know Sarah, personally, very well, I feel as though I have known her since the day I picked up a Labelle Album. She was and will always be an influence in my becoming an artist. Being successful at such a young age, inspired in me the possibilities of a career in entertainment in an expressive and different way.

BB: There's a whole new interest in classic or classic-styled disco music that's been going on. Why do you think that is at this point in time? 

LM: I think it fills a void in today's industry. Sometimes, you just want to dance and feel happy. That is what dance music does for you. We are coming out of a time of hardship, depressed economy and aggressive political views. It can be a bit overwhelming and makes us think of a happier time. I think that the disco style and message embodied a lighter head space and a sense of release. There is also no age requirement for its enjoyment and I feel as though they are key factors in its resurgence.

BB:Nile Rodgers has a new album. You're on a track or two I understand. What was doing that like?

LM: For me, there was a bittersweet element to it. It instantly took me back to the good times we all shared (pun intended) and the relationships we built and yet it was just as strongly a reminder of what has passed and who was missing. For many years, I shared a life with a special group of talented people and the two most important influences in my life were gone. Bernard and Tony. Having the opportunity to record again with Nile and Alfa, along with the ghostly whispers of my best friends was magical for me. Combine that with working along side with old and new friends and the wonderful vocalists now working under the Chic organization is something I will forever feel grateful for.

BB: What can we expect from you on Sunday?

LM: You can expect some Good Times, both literally and figuratively. We are excited to be a part of this and mix a little old with a bit of our new.

BB: You ladies are fantastic! Iconic disco divas yet still on the scene relevantly. What's this about a new song with Aristofreeks?

LM: Our recent release is entitled 'Get On Up' , off the PEM label featuring music by Aristofreeks, and we hope the title and music entices everyone to do just that. Our dear friend Kathy Sledge wrote the lyrics for us.

BB: What's it like to work together as a group for so long?

LM: A lot like riding a bike, lol, after a few adjustments, a reintroduction to how the machine works, it's all forward movement. 

BB: Any forthcoming gigs in the NYC area?

LM: We are working on developing our show, music and letting the public learn who we are as a group, so naturally doing live shows is our ultimate goal. We expect to have a schedule soon which can be found on our web page, www.nextstepmusic.us

BB: What music did you grow up listening to? And what singers influenced you most?

LM: I grew up as a child listening to jazz and opera, my dad loved classical music, but as i grew older, i became a fan of musicals and old movies in black and white for the beautiful classic clothing. I guess that makes it fortuitous that I would end up in a group named "Chic". I later gravitated towards groups like Labelle, Mother's Finest, Mint condition and, of course,  Stevie Wonder. Joplin, Baez, Manchester, Laura Nyro, and a host of country writers also were big influences for me in my writing.

BB: Any contemporary artists you enjoy listening to?

LM: Right now I am a big fan of artists like Jill Scott, India Arie, Sia, Maya and Adele..hmm I just realized I have no men listed haha, well I appreciate them also, but I find the ones who are primarily writers I admire most. Did I mention Amy Winehouse??

BB: Can you tell us anything about your performance at Sunday's brunch?

LM: t will be fun, casual and inviting. A dedication to my sister in song.

BB: Any last shout-outs to my international readership and disco-lovers?

LM: Without you, I am just a dream. Thank you all for being more than just a fan and for the years of support!

BB: See you Sunday and thank you for this interview! Can't wait to meet you.

Buddy Beaverhausen's Exclusive Q&A with Kathryn Crosby

Kathryn Crosby is a star. I made certain to call her at our appointed time right on the dot. Her voice has not changed a bit; she still has that vivacious lilt she possessed since her youth. Doing this Q&A was quite a lovely experience for me, taking me back to my childhood initially. We talked about her upcoming show, The Melody Lingers On, July 25 in Rockville Centre, NY (further details in the interview and further below). Ladies and gentlemen, Buddy Beaverhausen is proud to present this exclusive Q&A with the fabulous Ms Kathryn Crosby! Many thanks to Richard Skipper for arranging this interview.

BB: You know, I have to start off by telling you that, at age six, I had such a crush on you when my mom took me to see The 7th Voyage of Sinbad. What was it like working on that set?

KC: Oh, that's so sweet, thank you. It was wonderful shooting that film! We shot all over Spain. Madrid, Barcelona, Majorca. So beautiful and the food was delicious. And then, of course, once Ray Harryhausen added the special effects, the final result was magical. We all had such fun working on that film.

BB: Were you close with Kerwin Matthews during and/or after the shoot?

KC: Oh, yes, absolutely! A wonderful human being! We remained good friends right up until his death a few years back.

BB: Where do you call home today? L.A., New York?

KC: San Francisco.

BB: I'm visiting San Francisco at the end of this month, actually.

KC: Wonderful! I hope you have a great time when you get there.

BB: What attracted you to perform in the Irving Berlin tribute, The Melody Lingers On, at The Madison Theater, 1000 Hempstead Ave in Rockville Centre, NY with Sarah Rice and a band of highly accomplished musicians? Will you be doing any singing?

KC: Yes indeed. I'll be singing "White Christmas" and "Alexander's Ragtime Band." I was drawn to this because I always loved the work of Irving Berlin and here was the opportunity to be part of a tribute to one of this country's great songwriters.

BB: You stepped in to replace Lee Merriwether. Are you friends?

KC: Well, no, we don't really know one another. We've met. She's very beautiful, a Miss America, you know.

BB: You were married to Bing Crosby up until his death. What was it like to be married to such a tremendously popular screen idol? And what was Mr. Crosby like personally?

KC: Well, he was really the love of my life. Bing was a perfect example of what you see is what you get. Calm, always very calm. And self-assured. I just adored him. He was a great husband and father to our children. He was devoutly religious; we went to church every Sunday.

BB: You and Bing had two sons and a daughter. He also had children from his previous marriage and one of them, Gary, wrote a commercially and critically unsuccessful autobiography that was quite critical of his father. Did you and/or Bing read this "tell-all"? And if so, what did you think?

KC: Sad. Very sad.

BB: What is your favorite Bing Crosby movie? Favorite song?

KC: "White Christmas" and "White Christmas." We met on the set of the movie and that's how we got married, and also how I got to become good friends with Rosemary Clooney.

BB: What do you feel are the best assets you're bringing to The Melody Lingers On?

KC: Good question. I'd have to say my vocal and acting skills.

BB: Ms Crosby, truly a privilege and pleasure to speak with you. Any last words you'd like to share with our readers around the world?

KC: Yes! Come see us in The Melody Lingers On at The Madison Theatre, Molloy College, 1000 Hempstead Avenue in Rockville Centre, NY, Saturday July 25 at 8 pm. And it's just one show only. See you there!

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For press reservations, interview requests, or more information, contact Richard Skipper Celebrates at Richard@RichardSkipper.com or 845-365-0720