Showing posts with label Cutmore. Show all posts
Showing posts with label Cutmore. Show all posts

Thursday, December 18, 2014

Aretha: Remixed in the Deep

It was only a matter of time before Aretha Franklin's cover of Adele's "Rolling in the Deep" (from her new album, Aretha Franklin Sings the Great Diva Classics -- her highest charting album since 1985 -- http://djbuddybeaverhausen.blogspot.com/2014/10/aretha-rolling-in-divas.html) got the club/ dancefloor treatment. At the time of writing, three really good, energetic remixes have emerged of the Clive Davis-created, Babyface-produced track.

Cutmore, Wideboys and Morlando's mixes are available for djs in full club-mix length, all running around the 6-minute mark (including intros and outros), as well as in radio-edit formats. All of these producers/ remixers/ djs are British and have been exceptionally prolific in recent years. Richard Cutmore is a solo artist, while Morlando and Wideboys are teams of two artists combining their talents in each case.

Well, Miss Ree is now rolling in the remixes of the sophisticated and upbeat house-music styles of these popular and vital club-music hotshots. And she's rolling uphill ~~ to the top of the charts.

Wideboys' mix is the one most likely to appeal to US clubgoers because of its tempo and the most protracted use of the "Ain't No Mountain High Enough" back-up chorus from the original Babyface production. At a total 6:05 minutes play time, it has an unusually long outro for dj mixing purposes.

Cutmore's endeavor is the smoothest and most understated, though definitely hiNRG-influenced, like the two others, when it comes to bpms.

And Morlando's mix is surely positioned to be the UK and European fave of the crop.

Any of these remixes would inspire me to get on the dancefloor and boogie on down to one of the world's most enduring divas. Hoping Aretha's "Rolling in the Deep"  bubbles to the top on dance charts internationally. It's already # 2 on the US Billboard club listing. Maybe its success will spur the powers that be to follow up with club remixes of the album's cover version of the perpetual disco classic, "I Will Survive."

True disco-diva power and remix bliss in time for the holiday season.




Monday, September 28, 2009

But What I Really Want to Do Is DJ

Djing is the new power career and everyone's getting into the act; so, fuck directing. Take, for example, ex-NBA hunk Rony Seikaly (pictured above) who I recently learned is spinning at some of the swankiest clubs internationally. (What cramped dj booths are capable of containing a 7-foot man is a mystery to yours truly.) Although he is about four feet taller than Tony Moran, hopefully Rony's djing displays more coordination, skill and talent than his basketball playing.

My latest "dj-promo/not-for-sale" cd-r is entitled Radio Active Love, after the latest track by Carol Jiani. This is a very welcome comeback for Ms Jiani of sorts (because she never went away but you may not have known it) by the Nigerian-Canadian singer with a unique, quasi-Tina Turner-like voice that cuts like a razor. Best known for dance classics like "Mercy", "Get On Up & Do It Again" and, especially, "Hit'n'Run Lover", Ms Jiani became a victim of her own success as that last song was remixed to death in the '80s, '90s and '00s. But "Radio Active Love" may well put her back on the dance charts with its ballsy interpretation and driving, infectious style. The Klubjumpers -- always dependable -- provide the mix most distinctly to be checked out.

Melodic, classic-styled disco with an updated beat sweeps onto turntables everywhere like a fresh breeze. One stand-out is "Piano in the Dark" by Shanie. It's a cover of the Brenda Russell pop classic beautifully realized as a dance tune, with a rich, powerful vocal and mixes by 7th Heaven, Soulshakers and Bass Monkeys. Guaranteed to inspire you to get up and shake shake shake your booty.

Think Lady Gaga crossed with Amy Winehouse and you, perhaps, have a concept of British-born Paloma Faith. Backed by a gospel choir, her song "New York", as remixed by Cutmore, is a classically soulful disco ditty guaranteed to sweep you up in its swirling strings and Paloma's rich, bluesy vocals, not to mention its catchy chorus. Paloma used to be a magician's assistant and performance artist. I assume she, too, really wants to dj.

Then there's Julliard-graduate-turned-2009 Playboy-cover girl, America Olivo, who arrives on the dance-music scene with a lively, 80s-Latin-flavored song, "Deja Vu." Debuting on the Billboard dance chart at #43 and currently at #36, it's the Dj Escape & Tony Coluccio remix that has helped propel this offering.

Echos of 80s electropop are to be found in Brit synth duo La Roux's "Bulletproof", now charting in America at #9 on the Billboard Dance/Club Play list. While credible mixes are at hand from Dave Aude and Fred Falke, my favorite is the Tiborg remix; just pure, poppy dance floor fun without pretension.

And, a bit off-topic, perhaps (though still about music and divas), I had the privilege of seeing Mary Wilson, of the Supremes, at Feinstein's on Saturday night and she was a total revelation! Turns out she's not some lightweight oohs-and-aahs back-up girl but a vocal powerhouse who started her set with "Here's to Life" and ended with "Both Sides Now". In between, she sang "My World Is Lonely without You, Babe" and "I Am Changing" -- holding her own with Jennifers Holliday and Hudson, and dedicating that last song to the memory of friend and Supremes' founding member, Florence Ballard. Mid-set, she had her diva moment: Mary took an intermission during the instrumental bridge to go into her glittering, silvery jewel-box (on-stage!), try on rings (settling on one with a big stone) and apply lipstick (sans mirror!) before throwing back her head to belt out the rest of her number. She's a legendary diva, she knows it & you better not forget it, either!

"You're still the prettiest Supreme," I told her later, as she signed a copy of her solo album. She thanked me demurely and I impulsively added, "And the one with the best voice." Take that, Miss Ross, I thought. But Mary added, with a chilly Joan Crawford-like sweetness, "Oh, we all have good voices."

Mary said she is currently negotiating doing a tour with Diana. And who knows? She may also harbor a desire to dj!