I mostly thought of Boice as a quiet, unassuming guy; very bright, personable, likely to be a writer, arist, poet. Little did I know! Though Boice is all the things I assumed him to be, he is truly much more; an inspiration as well as an amazing talent you owe it to yourself to experience....
Dj Buddy Beaverhausen: Hi, Boice, and thank you so much for doing this Q&A with me. How did your show at Webster Hall go?
Boice: Thanks Charles, it's my pleasure! The show was exciting. It's funny how much work goes into 10 minutes of stage time. I didn't think it was a perfect performance but I was pleased overall and it made me want to do more shows.
DBB: I feel in the presence of a rising star. Little did I know when we were
at that little soiree in Brooklyn and news came via the tv in the
background that Whitney had died. What went through your head at that
moment?
B: It was one of those surreal moments that you'll always remember where you were in that sense, at least for this generation, both Whitney and Michael Jackson felt like tragic bookends for obvious reasons. It was especially heartbreaking since I grew up listening to their music and watching their videos. I remember saving my allowance money so I could buy Whitney's second album the day it came out. I remember seeing Michael moonwalk on the Motown special and the next day in school every kid trying to imitate him. There was a connection to their passing in a way that wasn't there when Lennon died even though I'm a Beatles fan--I wasn't around to personally experience Beatlemania.
B: It was one of those surreal moments that you'll always remember where you were in that sense, at least for this generation, both Whitney and Michael Jackson felt like tragic bookends for obvious reasons. It was especially heartbreaking since I grew up listening to their music and watching their videos. I remember saving my allowance money so I could buy Whitney's second album the day it came out. I remember seeing Michael moonwalk on the Motown special and the next day in school every kid trying to imitate him. There was a connection to their passing in a way that wasn't there when Lennon died even though I'm a Beatles fan--I wasn't around to personally experience Beatlemania.
DBB: Fashion Whirled snapped your picture at Aspen Social Club and identified
you as "Singer and fashion icon." Have you ever modeled or considered
it? Please do tell about your connection with fashion. Also, that blog
said you were there to promote your "video release party for his debut
album 'Itchy Boys'."The album is entitled How to Be an Adult. Did you change the title? If so, why?
B: Yes, I
have modeled and I'm currently signed with an agency. I've enjoyed what I've
done and would love to do more although its something that is pursued more
casually than my music or books. But as a longtime fan of artists like Bowie,
Madonna, Grace Jones--music and fashion for me have always been intertwined. I
believe that the music stands alone and works without any of the photo shoots
or videos but when added there's a texture that enhances and complements the
music. I've naturally intended to combine the two in my work. This goes back to
the publication of my books before I started making music. Yes, I'm completely
concerned with making the best fiction or the best music but I'm also thinking
about the styling for my author photo. I'm thinking about what image I want to
project on my website or album cover. I'm always thinking about the creative
direction and what's on the inside.
Regarding
the Aspen Social Club event, it was the week before my video release party for
the "Itchy Boys" song which appeared on my debut, but I also
performed a full set with a band playing songs from the album. The title was
always going to be How To Be An Adult--which I later discovered was also the
name of self-help book.
DBB: How would you describe your musical style? And who are your musical influences?
B: With
the first album, it seemed easier to describe my style by whom influenced the
album--Beatles, Morrissey, Elvis Costello--smart pop, melodic, crafty
lyrics. But with the new album being
more electronic due to it being primarily created on an iPad. Although it
doesn't sound especially EDM. Overall my influences include Bowie, Madonna,
Dylan, Kanye, Miles, Joni Mitchell and many more--although you might not hear
anything overt in my songs. In particular on GMA1, I was influenced by dance
music like Hot Chip and Calvin Harris for the sound since I was intentionally
creating an upbeat album.
DBB: How do you feel your sophomore album, Get Me Audio, Vol 1, differs from your debut?
B: I see
the albums differently in a few ways and that happened both out of necessity
and organically. My debut was recorded in a studio with a full band and has an
alternative/rock sound. It came out in 2010 but by the time I was ready to
begin writing the follow-up I couldn't fathom another 2-3 years working on it.
Between studio time and the cost of paying a band. But around this time Apple
released GarageBand for the iPad which is basically a mini-studio and then
later in the year Gorillaz released their album The Fall which was recoded on
an iPad and was highly influenced and then I saw Bjork perform and she was
playing music on an iPad. Together, all these events influenced my decision to
record the bulk of the album at home or in coffee shops on my iPad with
additional keyboards and my vocals added in the studio.
DBB: From your website: As boice watched the 2012 Summer Olympics his years-long music block
shattered when he realized that the winners were “living in dreams,” as
he puts it. This phrase became the wellspring for his new indie
album, Get Me Audio, Vol 1. Despite all his ideas and
intentions up to that point, it took a single moment of effortless
inspiration to launch boice into “not only having dreams, but having the
courage to pursue them.” You certainly are living your dreams. Tell us what that's like for you.
B: In a world where most or many people will not live their dreams--it truly feels like an honor or a privilege. To have something like music which I've always been passionate about as a listener to playing trombone in the band in high school and being a drum major to now, it's incredible to see your desires manifested.
B: In a world where most or many people will not live their dreams--it truly feels like an honor or a privilege. To have something like music which I've always been passionate about as a listener to playing trombone in the band in high school and being a drum major to now, it's incredible to see your desires manifested.
DBB: In one of the songs from your debut album, you sing "At 17, I felt like Janis Ian." Is that true? Why?
B: The song you reference, "Everybody Loves A Comeback," is what I consider to be one of my story-songs. An influence of both my idol Dylan and also as a novelist. It's one of those songs I'm attempting to pack in as much information and drama as a novel but within a 3-4 minute song. Which is a great challenge for myself. So this song is much more literary and has a beginning, middle and ending and is very character-driven and written in the first person. The character of this song is a former child actor who was quite famous and then he wasn't until he made a comeback as an adult and he's reflecting on his life or as he says the "rise and fall and rise". He references Janis Ian's song "At Seventeen" because he's noting the irony of being an outcast yet becoming extremely popular despite how he felt on the inside. So although the song isn't autobiographical, I think it's a universal concept for everyone to feel like they don't always fit in somewhere at some time in their life.
B: The song you reference, "Everybody Loves A Comeback," is what I consider to be one of my story-songs. An influence of both my idol Dylan and also as a novelist. It's one of those songs I'm attempting to pack in as much information and drama as a novel but within a 3-4 minute song. Which is a great challenge for myself. So this song is much more literary and has a beginning, middle and ending and is very character-driven and written in the first person. The character of this song is a former child actor who was quite famous and then he wasn't until he made a comeback as an adult and he's reflecting on his life or as he says the "rise and fall and rise". He references Janis Ian's song "At Seventeen" because he's noting the irony of being an outcast yet becoming extremely popular despite how he felt on the inside. So although the song isn't autobiographical, I think it's a universal concept for everyone to feel like they don't always fit in somewhere at some time in their life.
DBB: You're also a novelist and writer. Can you tell us more about that and your literary influences?
B: I
self-rpublished my first novel, The Daughters of a Mother, in 2000 after receiving
dozens of rejections from publishers and agents. Which was painful at the time
but definitely was an asset later on since it builds up a thick skin to
rejection and not taking it personally. But being the type of person who
doesn't easily take no for an answer, it was inevitable that I would eventually
publish all of my books myself. Between 2000-2005, I released three books of fiction:
The Daughters of a Mother, Janet Hurst and Screwball Comedy/Stories Going
Steady. I also edited and published a multicultural anthology of fiction and
poetry entitled Coloring Book.
I see
this period as a novelist as an old chapter. A chapter that I enjoyed and
learned from but what I'm doing now--making music--feels like home, it feels
like what I was meant to do. Yet writing
books was a necessary step because I definitely believe I'm the lyricist I am today as a direct
result.
My
literary influences were Alice Munro, Gayl Jones, Junot Diaz and Truman Capote.
I tend to write in the first person so I adore authors who either write in the
first person or their work is driven by character more than plot.
DBB:How do you approach your songwriting? Lyrics first or melody? Do you send your music out to other artists to cover?
B:My songwriting has changed between the two albums. With my debut, I would sing the vocal melody to my former guitar teacher who had a home studio and would produce my demos as a result of my never keeping up with learning the guitar--particularly when I learned that I could still write songs without knowing how to play an instrument or read music. Which was life-changing! I discovered that I could come up with melodies in my head wherever I was--on the subway, walking down the street--and then I'd quickly hum the melody into my phone's voice memo before I'd forget it.
B:My songwriting has changed between the two albums. With my debut, I would sing the vocal melody to my former guitar teacher who had a home studio and would produce my demos as a result of my never keeping up with learning the guitar--particularly when I learned that I could still write songs without knowing how to play an instrument or read music. Which was life-changing! I discovered that I could come up with melodies in my head wherever I was--on the subway, walking down the street--and then I'd quickly hum the melody into my phone's voice memo before I'd forget it.
For GMA1,
I would still come up with music as I just described but then with different
music production apps I could create music that didn't require knowing how to
play an instrument. Another way these apps expanded my music--like Ikaossilator
or Loopy--is that I would combine different sounds to make loops and then that
loop of music would now inspire the vocal melodies. The iPad had unexpectedly
opened me up as a songwriter. It's funny because I was bemoaning to a musician
friend that I should have stuck with learning the guitar and his response was
that the iPad is my new instrument.
DBB: Tell us about your growing up in Pittsburgh and what influence that has had on your art.
B: Technically I grew up in a small town about a half hour outside of Pittsburgh.
Even though I spent my entire childhood in a small town, I always felt like I
belonged in a big city. That sense of knowing but without any evidence of why.
As a kid, I would read Rolling Stone magazine and watch MTV and think that
there's the world out there and I have to leave to be a part of it. I
appreciate where I came from because I wouldn't be the artist I am today and I
feel like I've paid tribute to my roots by setting all of my books in a
fictional version of Pittsburgh.
DBB: Boice, thank you so much for this opportunity to interview you. Any last words you'd like to leave my readers?
B: And
thanks so much for interviewing me! I suppose my final thoughts are for
everyone to find the courage to pursue their dreams--which I hope that I can, in
some way, be an example. And by courage, I don't mean being unafraid before you
take any necessary steps; on the contrary, you move forward even when you're
scared. Sometimes we look at someone's life with envy and think: If I had their
courage I'd be fill-in-the-blank. Not realizing everyone has fear but that
person may have made one more call or sent out one more email or went on more
audition. We must do one more act even in the midst of fear.
You can check out Boice's website for more information on this amazing performer:
/http://www.thisisboice.com/index/
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