I'm proud to say I've been at clubs since the 1980s and that I've loved Carol Hahn since I first heard "Do Your Best" at Danceteria in New York City. Carol has been a diva fave with her powerful vocals, which Phil Spector might have enjoyed working with, because of her driving, strong vocal quality. And then there was a long absence from the scene.
I first talked about Ms Hahn in an early (2009) blog piece, "Notes to Divas" (still one of my most popularly read posts): "Carol Hahn was a delight when she brought her powerful pipes recently to
Splash in New York. She is simply a club diva's club diva who came to
international attention in the 1980s with a few hiNRG hits."
CH: My pleasure!
DJBB: You've gone both "Into the Light" and "Into the
Night." Which was best for you?
CH: Well, they were both totally different songs in all aspects.
"Into the Night" was a song I co-wrote with a friend, Tristan Vetter
(Jeff Sullivan), early on in my career and it was just sort of a fun, sexy
dance tune, nothing heavy. We were trying to write a really good follow-up to
my first release as we had just come off of the success of "Do Your
Best." The response to it was very exciting and it did very well.
Re-recording it a few years back was fun too,
I initially did not want to put out a new version out but kept getting requests and suggestions from
people to release it again. My hip and happening 20-something niece kept
telling me it would be great to put out again, so I finally decided let's do
it. I was a bit embarrassed to sing some of the lyrics at this stage in my life,
so Tristan changed a few of them to make them more comfortable for me
to sing.
"Into the Light" was a song I wrote out of a deep
personal experience from a love relationship. It was a very cathartic
experience for me, the song came very quickly lyrically and musically, (which
is always a wonderful thing), and I was able to see the problem I was having in
a much different light. Kind of an ah-hah moment.
DJBB: Ah-hah!
Now, I'm fairly uninformed about the jingles and voice-overs you've done, outside your dance-music career. What do you think most readers and I might best recognize?
Now, I'm fairly uninformed about the jingles and voice-overs you've done, outside your dance-music career. What do you think most readers and I might best recognize?
CH: I did a lot of work for Cable One IVR, (interactive voice response
system) for a few years, you know the idiotic person you have to listen to and
keep pressing buttons until you hopefully get a real person.
CH: I often find
myself yelling at the IVR voice when I call big companies. My job was to speak
in a friendly and calm voice. Most of the VO's and jingles I did in the U.S. were
regional or local markets. I've sung about the wonders of blueberries and
plumbers and baseball teams and many other things. I've done jingles and VO's for clients from Russia, Australia,
Sweden, U.K., Dubai etc. I enjoy doing character voices the most, it's very fun.
I actually do an English Queen
character; she's a cross between British
royalty and Julia Child; she's very loud but very sexy in a big-bossomed
kind of way....
I also did an interesting one for a British museum exhibit. They
wanted the voice of a white-winged duck.
I just had to figure out how a white-winged duck would talk, which I
did, and they liked it.
DJBB: I'd love to hear those!
You first burst onto the dance scene in '82 with the album, Portraits. How did that all come together?
You first burst onto the dance scene in '82 with the album, Portraits. How did that all come together?
And, in '83, you had a smash hit with "Into the Night." At
what point after that did you decide to put your music career aside and return
to college? And what was your motivation for that? Seems like a bold move.
CH: I took my band into a local studio to record a promo demo to help
us get club and wedding gigs. The studio owner, Jack Stang liked my voice and
asked if I wanted to do some originals. Jack was recording with a very talented
guy named Rahni Harris, from the band Dayton,
and Rahni had written some very good originals.
The album is mostly songs Rahni
wrote, including "Do Your Best." The songs were actually written as
Christian songs but we did them as love songs. "Do your Best" did
very well charting on Billboard and getting lots of play in the clubs and some
radio. One of the coolest things I heard about just a few years ago is that it
got played regularly by Larry Levan at the Paradise Garage.
After "Into the
Night," I signed with a label out of
Minneapolis called Wide Angle Records and they released a couple
of songs I co-wrote with Tristan and John Bauers
(who was in my band) called "Reach
Out" and "Your Love is All I Need." It did well in the clubs and charts.
We released another 12" after that but, by that time, I was
feeling very burnt-out by the music industry. I continued to sing
steadily with
my band but I sort of gave up on the recording end of it. I also went
through a
divorce and became a single mom, so I needed to get a more stable
career.
DJBB: What an un-disco-diva-like thing to do!
But you're back big time, better
than ever really, with a Billboard hit after 23 years with the terrific "I
Can Stop the Rain." What an incredible thing for any artist's career! What
do you make of this achievement?
CH: At the time it was very exciting but a few years out it feels very
different. I was really out of touch with the protocol for getting the music
out there as it had changed quite a bit since the 80's. I went through a
learning curve and made some expensive mistakes but it was the only way to
learn it, I guess. I do think "I Can Stop the Rain" is a very
good song.... and I'm happy it made Billboard. However, other than giving you some bragging rights, it doesn't
translate to sales or getting you on the radio or in front of the people that
matter most, the fans, because they don't read Billboard.
DJBB: Your songs express such a sense of strength and self empowerment. Do you
feel this way when you are writing your songs? And can you ever imagine
yourself creating and singing anything demurely?
CH: A lot of my songs come from experiences in my relationships. I am constantly
working on my writing and try to use the emotions or passions I'm feeling to
fuel it. While I don't always feel empowered or strong in real life, it's a
goal I work toward. Writing a song that I feel is good does make me feel
empowered and strong. It's an incredible high for me to write a song that I
feel in my heart.
I'm sure I've never been described as demure but I can sing with
softness and tenderness.
DJBB: *laughs* Well, "demure" may not be all it's cracked up to be.
So far, my interviews with club divas have been with women whose powerful
voices need no auto-tuning (Debby Holiday, Amber Dirks). You are most certainly
one, as well, indeed. Who have been your vocal influences in music?
CH: Barbara Streisand, her control and tone -- amazing! Ella Fitzgerald,
Bonnie Raitt, Sade, Aretha, Gladys Knight and Cindy Lauper are others. There
are many more.
DJBB: I was, long ago, shocked to discover you're American and your first album was recorded in the USA. Your hiNRG style convinced me you were British. Am I odd or have you heard this before?
DJBB: I was, long ago, shocked to discover you're American and your first album was recorded in the USA. Your hiNRG style convinced me you were British. Am I odd or have you heard this before?
CH: No, never heard that before. [So I am odd. ~~ DJBB] I do want to have high tea at the Royal Palace
with the Queen though at some point.
DJBB: Whom of the crop of today's dance divas do you enjoy?
DJBB: Whom of the crop of today's dance divas do you enjoy?
CH: I like Pink. I like some of Katy Perry's and Lady Gaga's music.
Adele, although not really a dance diva.
DJBB: There's a gripping intensity, musically and lyrically, to all your songs
("Reach Out," "Take Me & Dance," "Do Your
Best"). This also includes your new song, "Where Is the
Passion?" What would you like readers and club-goers to know about it as
it hits the clubs? And is it being released on Beagle Boy Records?
CH: Yes, we're releasing on Beagle Boy, should be out any day on
iTunes, Amazon etc. It's a song that very personal for me as I want people to
hear the song and feel passionate about their ability to make a change in the
world through their kindness, compassion, honesty, and quest for truth. If we
could just "pay it forward" a few times a week imagine the powerful
good energy that would create. It would be amazing.
DJBB: Thank you so much, Ms Hahn for your answers and for taking the time to do
this. Hoping "Where Is the Passion" is heard around the world like
all your songs, and that you hit Billboard heights once more, as you deserve.
CH:Thanks so much for asking me!
I also want to take this opportunity to thank all you wonderful DJ's who have supported my music. I do hope "Passion" gets out there and people hear it
and are moved by it.
DJBB: I would just like to add, personally, what a wonderful and special individual
you are, never forgetting your kind words of support when my mother passed away
last autumn. Thank you once more, Carol Hahn.
CH: I lost my mom not too long before that so I knew what you were
going through. It's a life altering experience.
Disconet remix with images:
Check out Carol Hahn @ iTunes & Amazon.com. "Where Is the Passion" is exceptional. Put it on your playlist, people!
Disconet remix with images:
Check out Carol Hahn @ iTunes & Amazon.com. "Where Is the Passion" is exceptional. Put it on your playlist, people!
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