Showing posts with label Lana Turner. Show all posts
Showing posts with label Lana Turner. Show all posts

Friday, March 18, 2016

Video Beaverhausen: Lana Turner Is Madame X!

Madame X is a Ross Hunter production for Universal starring Lana Turner and John Forsythe. It's campy fun mostly but have some Kleenex on hand for its finale.

This is a deluxe production and Hunter and the cast and crew pull out all the stops to put this across.

Constance Bennett portrays John Forsythe's mother, though she was only a few years older than he and Ms Turner. Still, she shines as the villainess of this film who causes Lana's downfall.

Though the film is a period piece, the hairdos and clothes are strictly 1960s throughout. Lana's frocks and hairstyles are fabulous, however, despite historic inaccuracy.

Ricardo Montalban is Lana's backstreet lover, an indiscretion that costs her dearly and sets off her downward spiral. Burgess Meredith pops up as a sleaze bag con man, and Keir Dullea (2001: a Space Odyssey, David and Lisa) plays Lana's son.

It's all about a mother's self-sacrifice in the end don'tcha know! You may giggle initially but you'll be in tears by the end, guaranteed.








Monday, February 22, 2016

Video Beaverhausen: Love Has Many Faces with Lana Turner

This film should have been titled Lana Has Many Costume Changes.  At this point, Lana Turner had become more of a fashion plate than an actress. Watch her vogue and give good face -- maybe many of them!

You may be surprised at how daring Love Has Many Faces was for its time (1965). And, interestingly enough, this sleaze with ease, trash with flash was written by a woman, Margaurite Roberts.

Lana is a rich bitch married to aging ex-gigolo Cliff Robertson. Hugh O'Brien looks quite hot in this, especially when shirtless. (Oh, Maverick!) Stefanie Powers is aboard as are Ruth Roman and Virginia Grey. And it all takes place in glamorous Acapulco. The color cinematography is sumptuous.

Beach boys galore provide plenty of eye candy. But nothing can compare to Lana's fabulous frocks! The story is some trifle about a murder, so there's a bit of a mystery here though, really, who cares!

By the way, I've heard some people refer to this film as Love Has Many Facelifts.

Available on dvd from Columbia Pictures.






Saturday, February 13, 2016

Video Beaverhausen: Lana Turner Trips Out on LSD in The Big Cube!

Lana Turner was far from her glory days when she made 1969's The Big Cube. Lana on acid but it's a bad trip, I warn you!

It's a campy psychedelic throwback with Ms Turner tripping on LSD that are put into her sugar cubes for tea. Unintentional hilarious at moments, though not enough of them to make this interesting.

Ms Turner was far from her glamor days here, though she works her frocks quite well. This is no The Postman Rings Twice or Imitation of Life. Hell, it's not even Love Has Many Faces!

Lana, in tis, is a rich widow with greedy kids spiking her tea with LSD to be able to get to her money by declaring her insane. The whole premise is, frankly, completely ridiculous!

Richard Egan and George Chakiris are in this, too. Hope all had a happy payday for their efforts.

Big Cube becomes a big bore. Not recommended by me except to the most devout camp devotees.











Sunday, May 11, 2014

Diva Dish: Special Mother's Day Edition

Someday, we're sure Lourdes Leon, Madonna's daughter, will be hard pressed for cash and will publish a tell-all about her Material Mom. I know she blogged about how happy she was to be brought on tour with her mom so she could fold her undies but I think there was something a bit passive-aggressive about that remark.

Of course, the original tell-all in this genre is Christina Crawford's Mommie Dearest. It was a best-seller in its time (1978) and that insisted a film be made of it. In case you're from Mars, "Tina" claims her adoptive mother was an abusive, schizophrenic alcoholic. It was, of course, published after Joan Crawford's death and Christina (and brother Christopher) were left out of Joan's will. Two other adopted daughters (not represented in the film for legal reasons) deny the portrayal of Joan in Christina's book.

It immediately became a camp classic (as is the movie with braying Faye Dunaway). At the time, my lover and I threw a very well attended party with the book as its theme. I went to The Erotic Bakery (then in Greenwich Village) to buy a customized cake. I asked for a wire hanger across a butt. "GET OUT!" the clerk howled at me. "We do NOT cater to child abusers, pervert!" (In other words: No wire hangers! EVER!") They had cakes showing two penises and a naked ass, but a wire hanger was too much for their delicate sensibilities. Finally, I just had a conventional Village bakery create it.

Crawford inspired a whole new genre of memoirs from silver-screen divas' daughters. Bette Davis' daughter, B.D. Hyman (married name) wrote My Mother's Keeper in 1985. Basically, it's another character assassination by an ungrateful Hollywood brat. This book is about an egomaniacal and self-centered mother who smokes, curses and drinks too much. As if we ever imagined Bette Davis to be any different in the first place.

A friend's late husband was a neighbor of Bette Davis and her family at their Connecticut home. He told me he often played with B.D. when he was 5 - 7 years old, and that Bette Davis would sometimes appear in her backyard to offer the kiddies milk and home-baked cookies.

The memoir, My Mother's Keeper, was rushed into publication shortly after Bette suffered a debilitating stroke. The indomitable Ms Davis recovered, however.

"Dear Hyman," Bette wrote in a public response. "I am now utterly confused as to who you are or what your way of life is. Your book is a glaring lack of loyalty and thanks for the very privileged life I feel you have been given. If my memory serves me right, I've been your keeper all these many years. I am continuing to do so, as my name has made your book about me a success." Ms Davis subsequently disinherited B.D.

Lana Turner's daughter,  Cheryl Crane, wrote Detour, a memoir of her famous mom. In the 1988 book, Cheryl, an out-and-proud lesbian, is very supportive of her mom. It focuses largely on the Johnny Stompanato murder scandal. Cheryl defends Lana and takes responsibility for the stabbing.

As late as 2013, Sachi Parker, daughter of Shirley MacLaine, dissed her mother for a publishing deal in the scandal-ridden Lucky Me. Ms MacLaine responded to the press:

“I'm shocked and heartbroken that my daughter would make statements about me that are virtually all fiction. I've praised her lovingly and truthfully in my own autobiographies.

“I'm sorry to see such a dishonest, opportunistic effort from my daughter for whom I've only ever wanted the best." 

And, turnabout being fair play, Nancy Spungen's mother, Deborah, published And I Don't Want to Live This Life after her daughter was stabbed to death by Sex Pistol Sid Vicious at the Chelsea Hotel in New York City. Remember: dead celebrity children can be exploited for cash too!

So Happy Mother's Day, everyone, from Buddy Beaverhausen! More diva dish next weekend!

Wednesday, January 1, 2014

R.I.P., Juanita Moore

At age 99, groundbreaking African-American actress Juanita Moore passed away on New Year's Day 2014. Ms Moore is perhaps best remembered for her role in the 1959, Douglas Sirk-directed version of Imitation of Life, for which she was nominated for a Best Supporting Actress Academy Award.

She was born in L.A. and started as a dancer at the famed Cotton Club. She had her first film role in 1949's Pinky, with Jeanne Crain, Ethel Barrymore and Ethel Waters. The film is a drama of racial inequality in the USA at the time and on the concept of "passing" for white to avoid discrimination and segregation.

The subplot of Imitation of Life revisits this theme. Susan Kohner, as Juanita Moore's character's light-skinned daughter, denies and turns her back on her own mother in her attempt to "pass." Moore's scenes with Kohner are truly heartbreaking and the climactic scene in this film always has me bawling my eyes out, just like at the end of West Side Story, during each and every viewing, no matter how many times I watch it.

The film struck a nerve, not only with its targeted female audience but with non-white audiences and the yet unclassified LGBT community who understood discrimination and the concept of "passing" all too well at that time.

Juanita Moore and Ms Kohner remained life-long friends as a result of acting in this film together opposite Lana Turner, John Gavin and Sandra Dee.

Juanita Moore's career spanned film, television and stage.  She died of natural causes at her L.A. home.