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Showing posts with label Bette Davis. Show all posts
Showing posts with label Bette Davis. Show all posts
Thursday, May 5, 2016
Video Beaverhausen: F/X Channel to Present Feud with Jessica Lange and Susan Sarandon
This is perfect news arriving, as it does, just days before the anniversary of Joan Crawford's death.
Thanks to producer Brad Pitt bringing this property to the F/X cable channel, this tele-film is expected to come to us later this year.
Susan Sarandon will play Bette because she has Bette Davis eyes and Jessica Lange (hot off American Horror Story) will portray Joan. The mini-series will be a behind-the-scenes expose of the feud between the two stars on and off the set of What Ever Happened to Baby Jane in 1961.
Inspired by the Henry Farrell novella, this is anticipated to be powerhouse tv entertainment. This is turning into a divine year for the entertainment, entertainment industry and cable.
Pitt is producer and put his considerable muscle behind this effort. Stanley Tucci, Alfred Molina and Judy Davis among others.
This has the potential to blow the roof off the house. Not to be missed. Alert to the film's legion of gay fans.
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Video Beaverhausen: Feud: The Making of What Ever Happened to Baby Jane
Friday, April 29, 2016
Video Beaverhausen Looks Into What Ever Happened to Baby Jane!
I first saw Baby Jane when I was 10, in the US Theater in my hometown of Paterson, NJ. My grandmother took me. After all, it was she who weened me on Joan and Bette films on our tv.
I adored this psychodrama. But, afterwards, my grandmother sighed and said, "They used to be so beautiful."
Nonetheless, my mother and her brother, my uncle Pat, loved this Robert Aldrich-directed suspense-cum-horror flick. They laughed and gasped throughout. My uncle taught me how to do a mean impersonation of Bette as Jane.
The film has, over the years, become a classic though, at the time, it received mixed reviews but was a box-office success that sparked an entire genre of aging studio screen goddesses in Grand Guignol-type movies.
This movie has been imitated and parodied throughout the decades but seems better as it ages, like a fine way.
It's said that Bette weeped through rushes when she saw her appearance on-screen. Yet it was she who fearlessly insisted that Jane rarely washed her face and just put on more make-up.
Oddly, it was only women who were relegated to this type of Gothic "hag" melodrama while men their age went on to be handsome leads in comedies and romances,
The script was written by Lukas Heller based on Henry Farrell's novella. http://djbuddybeaverhausen.blogspot.com/2014/06/beaverhausen-book-nook-what-ever.html
Great supporting cast here headed by Maidie Norman and Victor Buono.
Davis' and Crawford's rivalry was infamous and is gossiped about until this day. So is much of the film's dialogue which has taken on a life of its own. Crawford knew how to steal scenes by rolling her eyes, a technique she learned from starting in movies.
Joan was scheduled to play the role of Cousin Miriam in Hush, Hush, Sweet Charlotte, Aldrich's follow-up. She got fired due to growing animosities with her co-star Bette and Aldrich, her director, and replaced by Olivia de Havilland.
Baby Jane is eternal. I'm sure you've all seen it. Novices be prepared. Every gay man must learn the dialogue and be able to repeat it on a moment's notice.
.
I adored this psychodrama. But, afterwards, my grandmother sighed and said, "They used to be so beautiful."
Nonetheless, my mother and her brother, my uncle Pat, loved this Robert Aldrich-directed suspense-cum-horror flick. They laughed and gasped throughout. My uncle taught me how to do a mean impersonation of Bette as Jane.
The film has, over the years, become a classic though, at the time, it received mixed reviews but was a box-office success that sparked an entire genre of aging studio screen goddesses in Grand Guignol-type movies.
This movie has been imitated and parodied throughout the decades but seems better as it ages, like a fine way.
It's said that Bette weeped through rushes when she saw her appearance on-screen. Yet it was she who fearlessly insisted that Jane rarely washed her face and just put on more make-up.
Oddly, it was only women who were relegated to this type of Gothic "hag" melodrama while men their age went on to be handsome leads in comedies and romances,
The script was written by Lukas Heller based on Henry Farrell's novella. http://djbuddybeaverhausen.blogspot.com/2014/06/beaverhausen-book-nook-what-ever.html
Great supporting cast here headed by Maidie Norman and Victor Buono.
Davis' and Crawford's rivalry was infamous and is gossiped about until this day. So is much of the film's dialogue which has taken on a life of its own. Crawford knew how to steal scenes by rolling her eyes, a technique she learned from starting in movies.
Joan was scheduled to play the role of Cousin Miriam in Hush, Hush, Sweet Charlotte, Aldrich's follow-up. She got fired due to growing animosities with her co-star Bette and Aldrich, her director, and replaced by Olivia de Havilland.
Baby Jane is eternal. I'm sure you've all seen it. Novices be prepared. Every gay man must learn the dialogue and be able to repeat it on a moment's notice.
.
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Video Beaverhausen: What Ever Happened to Baby Jane
Tuesday, April 5, 2016
Happy Birthday, Bette Davis!
Bette Davis would be 108 years old today had she lived. In fact, she died in 1981, outliving her famed rival Joan Crawford by four years, after suffering a stroke that left her ~ in her final years ~ looking a bit like Vincent Price in House of Wax.
But she was never really known, especially, for her beauty but for her fiery talent.
Often impersonated, she seemed to never be without a cigarette, on-screen or off.
My friend Tracey's late husband Tom told me that, when he was growing up in Westport CT, he was friends with her children and she would bring the kids milk and cookies. She was a good mom by all accounts, except for her daughter BD Sherry Hyman who, in her 1985 book My Mother's Keeper hoped to have written the next Mommie Dearest. Bette had, at that point, just had her massive stroke and the born-again BD wrote about ma's smoking, drinking and cussing. The public didn't buy it, the bio flopped, the tell-all told nothing and Bette recovered and replied, starting her open letter to her daughter with "Dear Hyman...." then immediately cut her daughter from her will.
But Bette will always be known for her classic roles in Hollywood classics and her line deliveries. "I'd love to kiss ya, but I just washed my hair." "But cha are in that chair, Blanche, ya are!"
When Bette co-starred with Lillian Gish as sisters in The Whales of August, an interviewer commented that Gish looked great in her close-ups, "She should," Davis snapped, "She goddamned invented them!" As for Miss Lillian, she was frail herself and was frightened that, when Bette latched onto her, she'd pull her down into the sand dunes.
So, have a happy birthday, fiery lady until the very end!
But she was never really known, especially, for her beauty but for her fiery talent.
Often impersonated, she seemed to never be without a cigarette, on-screen or off.
My friend Tracey's late husband Tom told me that, when he was growing up in Westport CT, he was friends with her children and she would bring the kids milk and cookies. She was a good mom by all accounts, except for her daughter BD Sherry Hyman who, in her 1985 book My Mother's Keeper hoped to have written the next Mommie Dearest. Bette had, at that point, just had her massive stroke and the born-again BD wrote about ma's smoking, drinking and cussing. The public didn't buy it, the bio flopped, the tell-all told nothing and Bette recovered and replied, starting her open letter to her daughter with "Dear Hyman...." then immediately cut her daughter from her will.
But Bette will always be known for her classic roles in Hollywood classics and her line deliveries. "I'd love to kiss ya, but I just washed my hair." "But cha are in that chair, Blanche, ya are!"
When Bette co-starred with Lillian Gish as sisters in The Whales of August, an interviewer commented that Gish looked great in her close-ups, "She should," Davis snapped, "She goddamned invented them!" As for Miss Lillian, she was frail herself and was frightened that, when Bette latched onto her, she'd pull her down into the sand dunes.
So, have a happy birthday, fiery lady until the very end!
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Saturday, December 5, 2015
Christmas Countdown Continues with Jimmy James as Bette Davis
I want to wish ya a Merry Christmas from the bottom of my heart! Feliz Navidad!
Here's impressionist Jimmy James as Bette Davis singing "Feliz" on our Christmas Countdown this year.
Season's greetings!
Here's impressionist Jimmy James as Bette Davis singing "Feliz" on our Christmas Countdown this year.
Season's greetings!
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Thursday, October 29, 2015
Halloween Countdown 2015 Continues with Patti Page and Bette Davis!
Today, Patti Page croons the title tune from the film Hush, Hush, Sweet Charlotte (1964) on our Halloween Countdown. The movie starred Bette Davis and Olivia DeHavilland, who is 99 this year.
Only two more days till Halloween! Enjoy!
Of course, Bette had her own version of the song:
Only two more days till Halloween! Enjoy!
Of course, Bette had her own version of the song:
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Wednesday, October 21, 2015
Halloween Countdown 2015 moves on with Bette Davis Gone Rock'n'Roll
Yes, Bette Davis goes twistin' the night away with this rock number from What Ever Happened to Baby Jane!
This was a rare release to promote the movie at the time.
Enjoy it on my 2015 Halloween Countdown!
You may recognize the music as the number Davis' obnoxious next-door teenaged neighbor (played by Davis' daughter) blasts on her record player in the film).
And feel free to do the Twist as you watch!
This was a rare release to promote the movie at the time.
Enjoy it on my 2015 Halloween Countdown!
You may recognize the music as the number Davis' obnoxious next-door teenaged neighbor (played by Davis' daughter) blasts on her record player in the film).
And feel free to do the Twist as you watch!
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Saturday, October 3, 2015
Video Beaverhausen: Bette Davis Is a Dead Ringer for... Bette Davis!
Bette Davis basically reprises her role in A Stolen Life (1946) in Dead Ringer (made 20 years later), though with more macabre touches. And, instead of Glenn Ford as a love interest, she gets Karl Malden. Oh, well!
When sisters are two of a kind (yes, Bette plays identical twins), mayhem and murder occur. Bette assays both roles, of course -- the desperate poor sister and the haughty, rich one (because she married well) -- very convincingly. I'd love to see Glenn Close give a remake a go!
This '64 melodrama was directed by Paul Henreid, Bette's co-star in Now, Voyager. He has a firm hand on this film, giving it a classic Hollywood feel.
Bette has many fabulous moments, especially when pretending she's her sister. You can lose your mind when Bette is two of a kind. The film employs the same split-screen f/x techniques as on the Patty Duke Show. What a crazy pair here!
Davis receives much support from veteran stars like Estelle Winwood and Jean Hagen. She gets romanced by gigolo Peter Lawford. Not bad for her age.
Highlights include Bette intentionally burning her hand on a red-hot poker from the fireplace and letting out the smokey howl of a sea hag, and her attempts to cover up her nefarious doings that, naturally, botch things up at times.
Overall, great fun, perfect for the Halloween season. Available on dvd and download.
When sisters are two of a kind (yes, Bette plays identical twins), mayhem and murder occur. Bette assays both roles, of course -- the desperate poor sister and the haughty, rich one (because she married well) -- very convincingly. I'd love to see Glenn Close give a remake a go!
This '64 melodrama was directed by Paul Henreid, Bette's co-star in Now, Voyager. He has a firm hand on this film, giving it a classic Hollywood feel.
Bette has many fabulous moments, especially when pretending she's her sister. You can lose your mind when Bette is two of a kind. The film employs the same split-screen f/x techniques as on the Patty Duke Show. What a crazy pair here!
Davis receives much support from veteran stars like Estelle Winwood and Jean Hagen. She gets romanced by gigolo Peter Lawford. Not bad for her age.
Highlights include Bette intentionally burning her hand on a red-hot poker from the fireplace and letting out the smokey howl of a sea hag, and her attempts to cover up her nefarious doings that, naturally, botch things up at times.
Overall, great fun, perfect for the Halloween season. Available on dvd and download.
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Video Beaverhausen: Bette Davis in Dead Ringer
Sunday, September 27, 2015
Video Beaverhausen: Bette Davis Is The Star
The Star stars Bette Davis, Sterling Hayden and a teenaged Natalie Wood. It is reportedly a roman a clef about Joan Crawford. Bette has a field day.
Bette is a down-on-her-luck movie star. Like Crawford, she has a mooching mother and brother. "Don't you understand?" she screams out at them in the best Bette bravado. "I'm broke! Cold, flat, stony broke!"
The film was made in 1952, the year I was born. I never saw it until it played one night, at the old Theatre 80 St Mark's Place in the '70s.
The film has numerous highlights. Like Bette's drunk driving calamity with her Oscar on the dashboard, as if it were her St Christopher icon. She winds up in a women's prison where she has to share a cell.
And then there's her disastrous attempt at a comeback in a serious but unglamorous co-starring part. She decides to tailor her costume to make it more form-fitting. (As Ms Crawford was known to do.) Bette has Crawford's mannerisms and "blessings" to the crew down pat. Impossible to watch these scenes and not see she's caricaturing Crawford with great relish.
Bette's Margaret Elliott is one of her best characterizations, made between her hits All About Eve and What Ever Happened to Baby Jane. Her scenes with Hayden (who's quite the hunk in this) and Wood (for whom Davis had great affection) are wonderful.
The Star is a self-destructive one, but that makes great drama. She sacrifices the love of a simple, adoring man for her career. It was scripted by a husband/wife team who knew Crawford well.
Highly recommended. On dvd and on download from Amazon and Barnes & Noble.
Bette is a down-on-her-luck movie star. Like Crawford, she has a mooching mother and brother. "Don't you understand?" she screams out at them in the best Bette bravado. "I'm broke! Cold, flat, stony broke!"
The film was made in 1952, the year I was born. I never saw it until it played one night, at the old Theatre 80 St Mark's Place in the '70s.
The film has numerous highlights. Like Bette's drunk driving calamity with her Oscar on the dashboard, as if it were her St Christopher icon. She winds up in a women's prison where she has to share a cell.
And then there's her disastrous attempt at a comeback in a serious but unglamorous co-starring part. She decides to tailor her costume to make it more form-fitting. (As Ms Crawford was known to do.) Bette has Crawford's mannerisms and "blessings" to the crew down pat. Impossible to watch these scenes and not see she's caricaturing Crawford with great relish.
Bette's Margaret Elliott is one of her best characterizations, made between her hits All About Eve and What Ever Happened to Baby Jane. Her scenes with Hayden (who's quite the hunk in this) and Wood (for whom Davis had great affection) are wonderful.
The Star is a self-destructive one, but that makes great drama. She sacrifices the love of a simple, adoring man for her career. It was scripted by a husband/wife team who knew Crawford well.
Highly recommended. On dvd and on download from Amazon and Barnes & Noble.
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Video Beaverhausen: Bette Davis in The Star
Tuesday, September 15, 2015
Video Beaverhausen: Storm Center starring Bette Davis
As I still recover from my recent surgery at home, I have plenty of time for one of my favorite things: watching classic movies at home. Storm Center, released on dvd by Columbia Pictures, is as relevant today as it was on its release date (1956). Its theme is about liberty and democracy in the United States and the threat of political witch hunts and hysteria.
The film was made during the era of the McCarthy hearings and the fear of "the Communist menace." Many careers were ruined by these Senate interrogations.
And so, many big-name actresses (Katherine Hepburn, Barbara Stanwyck to name just two) were dissuaded from taking on the role of the widowed librarian in Storm Center. They were told it would ruin their careers and that they'd never work again. Powerful Hollywood columnist Hedda Hopper threatened to personally see to that. Bette Davis, however, strode into the role bravely.
Unfortunately, the film is directed ineptly. The film plods along with no particular visual or directorial syle, and its message comes across as pedantic and heavy-handed as a result, though a few brilliant moments briefly liven things up. Good performances by Brian Keith and Kim Hunter help keep up our interest. Edward Platt (Get Smart) and Kathryn Grant (Crosby) are also in this in smaller roles.
In the final analysis, Bette Davis puts this across with yet another vivid motion picture portrayal. The theme, as I pointed out, is sadly still relevant. And, despite being seriously flawed, it has its virtues. Worth watching but you probably won't opt to see this more than once.
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Tuesday, July 21, 2015
Video Beaverhausen: Buddy Beaverhausen and Bette Davis Go Beyond the Forest
"What a dump!" The line immortalized in Edward Albee's Who's Afraid of Virginia Woolf? was a reference to this King Vidor-helmed camp classic. "Some goddamned Warner Brothers classic starring Bette Davis," Martha brayed.
Beyond the Forest was released in 1949 and was the last movie Ms Davis made in her long contract with Warner Bros. Hardly considered a classic -- or a box-office success -- in its day, it was embraced by its gay audience of the time who immediately picked up on the so-bad-it's-good quality of it all.
Released on VHS here in the USA, it has not been available on dvd. Luckily, a friend converted this for me from a Region 2 dvd (European and other markets outside the United States). The quality is excellent.
"I'm Rosa Moline, Rosa Moline, Rosa Moline!" Davis howls out her character's name at one point. Rosa is unhappily married to Louis Moline, a small town doctor (Joseph Cotton). Bette has admitted the contempt she displayed in this movie was how she felt at the time about her studio. She begged Warner Bros. not to put her in the black fright wig and tight dresses they insisted on and that we see in the film. David Brian and Ruth Roman co-star.
The scheming, slatternly, two-timing, egomaniacal and, ultimately, murderous Rosa is like a Baby Jane Hudson in training. Bette Davis was criticized after the film's release for having turned into a parody of herself. Indeed, the actress pulls out all the stops and all the mannerisms, camping it up with the scorn she felt toward her studio. Rosa's interactions with struggling alcoholic Moose Lawson (Minor Watson) and her Native American maid, Jenny (Donna Drake), are sidesplittingly hilarious.
Beyond the Forest was released in 1949 and was the last movie Ms Davis made in her long contract with Warner Bros. Hardly considered a classic -- or a box-office success -- in its day, it was embraced by its gay audience of the time who immediately picked up on the so-bad-it's-good quality of it all.
Released on VHS here in the USA, it has not been available on dvd. Luckily, a friend converted this for me from a Region 2 dvd (European and other markets outside the United States). The quality is excellent.
"I'm Rosa Moline, Rosa Moline, Rosa Moline!" Davis howls out her character's name at one point. Rosa is unhappily married to Louis Moline, a small town doctor (Joseph Cotton). Bette has admitted the contempt she displayed in this movie was how she felt at the time about her studio. She begged Warner Bros. not to put her in the black fright wig and tight dresses they insisted on and that we see in the film. David Brian and Ruth Roman co-star.
The scheming, slatternly, two-timing, egomaniacal and, ultimately, murderous Rosa is like a Baby Jane Hudson in training. Bette Davis was criticized after the film's release for having turned into a parody of herself. Indeed, the actress pulls out all the stops and all the mannerisms, camping it up with the scorn she felt toward her studio. Rosa's interactions with struggling alcoholic Moose Lawson (Minor Watson) and her Native American maid, Jenny (Donna Drake), are sidesplittingly hilarious.
Jenny: Mrs. Moline, let's not start calling each other names. I got some fancy ones saved up just achin' to be used.
Rosa: You get out of this house! No red Indian is gonna talk to me like that in my own house!
Moose: You're somethin' for the birds, Rosa, somethin' for the birds.
Rosa: And you're somethin' that makes the corn grow tall!
When Rosa walks through the town, a neighboring woman says to her friend, "A small town like this must be hard on a woman like Rosa." Says the friend: "Ha! She's hard on the town!"
If the square dance sequence looks messy, it's because Davis refused to return to the set for any further re-shooting. Her next film would be All About Eve. The tagline for Beyond the Forest was "Nobody's as good as Bette when she's Bad!" And she is bad in more than one sense of the word. And that, it turns out, is so good.
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Monday, July 13, 2015
Video Beaverhausen: Bette Davis & Olivia DeHavilland in In This Our Life
What a melodrama this is! Bette Davis is pure, full-throttle bitch opposite good sister Olivia De Havilland. Interesting that their character names are Stanley and Roy.
John Huston directed this 1942 film with such panache, you won't be able to take your eyes away from it.
Rosa Moline from Beyond the Forest, perhaps Bette's most famous evil character, actually pales in comparison to Stanley Timberlake.
Screenplay by Howard Koch from a novel by Ellen Glasgow, music by Max Steiner, featuring Charles Coburn, Billie Burke, Dennis Morgan, George Brent and Hattie McDaniel, this is Warner Bros. in all its glory.
Bette steals sister Olivia's boyfriend, blames a drunk driving accident on a young black man studying to be a lawyer. (Of course the cops believe her because she's white and privileged. Still socially relevant, folks!) Bette's climactic scene with Coburn is dramatic fireworks, especially when she shouts at him, as he's dying, near the end:
All right, so you're going to die! But you're an old man, you've lived your life - I haven't lived mine! Mine's hardly begun! Think of me, uncle! Think of what'll happen to me if you don't get me out of this! You're not even listening! You don't care what happens to me any more than the others. You'd let me go to prison. All you're thinking of is your own miserable life. Well you can DIE for all I care! DIE!
Over the top? You bet!
Now available on dvd. Not to be missed!
John Huston directed this 1942 film with such panache, you won't be able to take your eyes away from it.
Rosa Moline from Beyond the Forest, perhaps Bette's most famous evil character, actually pales in comparison to Stanley Timberlake.
Screenplay by Howard Koch from a novel by Ellen Glasgow, music by Max Steiner, featuring Charles Coburn, Billie Burke, Dennis Morgan, George Brent and Hattie McDaniel, this is Warner Bros. in all its glory.
Bette steals sister Olivia's boyfriend, blames a drunk driving accident on a young black man studying to be a lawyer. (Of course the cops believe her because she's white and privileged. Still socially relevant, folks!) Bette's climactic scene with Coburn is dramatic fireworks, especially when she shouts at him, as he's dying, near the end:
All right, so you're going to die! But you're an old man, you've lived your life - I haven't lived mine! Mine's hardly begun! Think of me, uncle! Think of what'll happen to me if you don't get me out of this! You're not even listening! You don't care what happens to me any more than the others. You'd let me go to prison. All you're thinking of is your own miserable life. Well you can DIE for all I care! DIE!
Over the top? You bet!
Now available on dvd. Not to be missed!
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Video Beaverhausen: In This Our Lives
Sunday, May 31, 2015
Video Beaverhausen: The Anniversary
When it comes to Bette's monster moms, you can't top 1967's The Anniversary, produced by UK's Hammer studios. What an indisputable bitch!
My mother had nothing on Bette's character when it came to guilt-tripping, though she was good; VERY good at it. As in, "Oh, I forgot. I'm ONLY the mother." Can't come close to the cyclops of a passive-aggressive madre in this film. Sorry, Mom.
We can all relate to Davis' extreme monster mom but that's the point of this whole exercise, it would seem.
"Could you sit over there?" Davis asks her youngest son's fiancee. "Body odor offends me." Our favorite line!
Sturdy direction by Roy Ward Baker throughout. My close friend, Tracey, commented on how the avant-garde Brit humor still seemed fresh today. Indeed.
Daring for the time, especially regarding tranvestism, Oedipal obsessions and pedophilia, The Anniversary still rocks today as black comedy.
"Putting me in a fruit cellar? Do you think I'm fruity, boy?" Norman Bates' mother asked. None of the characters in this outrageous film can put Bette anywhere. She's an immovable -- and seemingly indestructible -- object. Hammer horror monsters are like that.
Based on a very successful West End hit in London.
My mother had nothing on Bette's character when it came to guilt-tripping, though she was good; VERY good at it. As in, "Oh, I forgot. I'm ONLY the mother." Can't come close to the cyclops of a passive-aggressive madre in this film. Sorry, Mom.
We can all relate to Davis' extreme monster mom but that's the point of this whole exercise, it would seem.
"Could you sit over there?" Davis asks her youngest son's fiancee. "Body odor offends me." Our favorite line!
Sturdy direction by Roy Ward Baker throughout. My close friend, Tracey, commented on how the avant-garde Brit humor still seemed fresh today. Indeed.
Daring for the time, especially regarding tranvestism, Oedipal obsessions and pedophilia, The Anniversary still rocks today as black comedy.
"Putting me in a fruit cellar? Do you think I'm fruity, boy?" Norman Bates' mother asked. None of the characters in this outrageous film can put Bette anywhere. She's an immovable -- and seemingly indestructible -- object. Hammer horror monsters are like that.
Based on a very successful West End hit in London.
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Video Beaverhausen: The Anniversary (1967)
Travels with Beaverhausen: Where Love Had Gone This Weekend
A weekend getaway was just the necessary tonic after a frightful winter and from the daily grind. Even the MetroNorth train ride was relaxing! Looked out my window at all the bodies of water we passed: marinas, lakes, rivers. A beautiful and cloudless day, in the upper 80s, nothing could be more perfect for my visit. Except for my friends themselves, the heart and soul of my mini-vacation.
The train was only half-full, oddly but nice. Chalk it up to time of day or the fact that last weekend was the busy three-day holiday one or that college season's over for many? It was nice to spread out across empty seats for a change. Also nice view of the college boys aboard.
Tracey and Merv were so fabulous to be with. We enjoyed hours on their screened-in patio together, just talking and, occasionally, each of us giving some time to our individual notepads. Ah, modern life! Belated birthday gifts were exchanged.
Later, Tracey made a fresh salsa and a dinner of pulled pork (made in a crock pot) on a roll with awesome bbq sauce plus large salad! Mmmmm-mmmmm good! Thanks to my second-cousin, Jessie Watson (Tracey's daughter), for that recipe. Tracey promises to pass it on though. The meal and condiments could be served through the window from kitchen to patio. Talk about stylin'!
Later, after dawn, we settled down on the couches in front of the big-screen tv in their living room to watch two Bette Davis movies from the Sixties -- early to late. We first watched Where Love Has Gone (Bette, Susan Hayward, Joey Heatherton http://djbuddybeaverhausen.blogspot.com/2014/10/video-beaverhausen-where-love-has-gone.html
and The Anniversary (Bette at Hammer Studios UK). My hosts loved them both. Tray remarked on how, today, Anniversary still seems very cutting-edge black comedy. Our favorite line was La Davis to the actress playing her youngest son's fiancee, who was invited to sit next to her: "Now, could you sit over there? Body odor offends me."
I return to NYC today fully recharged with added vigor, ready to begin again, and happy to have shared the love and joy with very special friends. It's a cooler day threatening heavy rain later, but I came prepared with my new hooded rain-repellant parka.
We can't wait for my weekend hosts to come back to visit us in Bay Ridge!
The train was only half-full, oddly but nice. Chalk it up to time of day or the fact that last weekend was the busy three-day holiday one or that college season's over for many? It was nice to spread out across empty seats for a change. Also nice view of the college boys aboard.
Tracey and Merv were so fabulous to be with. We enjoyed hours on their screened-in patio together, just talking and, occasionally, each of us giving some time to our individual notepads. Ah, modern life! Belated birthday gifts were exchanged.
Later, Tracey made a fresh salsa and a dinner of pulled pork (made in a crock pot) on a roll with awesome bbq sauce plus large salad! Mmmmm-mmmmm good! Thanks to my second-cousin, Jessie Watson (Tracey's daughter), for that recipe. Tracey promises to pass it on though. The meal and condiments could be served through the window from kitchen to patio. Talk about stylin'!
Later, after dawn, we settled down on the couches in front of the big-screen tv in their living room to watch two Bette Davis movies from the Sixties -- early to late. We first watched Where Love Has Gone (Bette, Susan Hayward, Joey Heatherton http://djbuddybeaverhausen.blogspot.com/2014/10/video-beaverhausen-where-love-has-gone.html
and The Anniversary (Bette at Hammer Studios UK). My hosts loved them both. Tray remarked on how, today, Anniversary still seems very cutting-edge black comedy. Our favorite line was La Davis to the actress playing her youngest son's fiancee, who was invited to sit next to her: "Now, could you sit over there? Body odor offends me."
I return to NYC today fully recharged with added vigor, ready to begin again, and happy to have shared the love and joy with very special friends. It's a cooler day threatening heavy rain later, but I came prepared with my new hooded rain-repellant parka.
We can't wait for my weekend hosts to come back to visit us in Bay Ridge!
Labels:
Bette Davis,
Buddy Beaverhausen,
Gay Blog,
Joey Heatherton,
Leave It to Beaverhausen,
LGBT blog,
LGBT Movies,
Susan Hayward,
The Anniversary movie,
Travels with Beaverhausen,
Where Love Has Gone movie
Thursday, May 28, 2015
Bette Davis IS The Nanny
The Nanny (1965) has absolutely nothing to do with the popular Fran Drescher tv series of the same name. In this film, La Davis is even scarier than Nanny Fine, so don't be a Nanny ninny.
It is one of two movies Ms Davis did at UK's Hammer studios in the mid-Sixties. Hammer is known for their horror films, and while Bette is as frightening as Christopher Lee's Dracula in this film, she renders a very controlled and admirable performance. She didn't need bloodshot contact lenses; she's got Bette Davis eyes.
The Nanny poses a mystery: who killed baby sister and, later, the baby's mother? The little boy who is her brother or Davis, the family's nanny for two generations? By the denouement, things become abundantly clear. Ah, what these Nanny diaries could tell!
Wendy Craig and Jill Bennett star as the boy's hapless mom and aunt. Jimmy Sangster (Curse of Frankenstein) directs with effective, mounting suspense. Pamela Franklin is in this and young William Dix is solid as the creepy kid.
The type of British thriller frequently referred to as "crisp" in the States, The Nanny will still grip most viewers today, and is one of Bette Davis' best post-Baby Jane motion pictures.
It is one of two movies Ms Davis did at UK's Hammer studios in the mid-Sixties. Hammer is known for their horror films, and while Bette is as frightening as Christopher Lee's Dracula in this film, she renders a very controlled and admirable performance. She didn't need bloodshot contact lenses; she's got Bette Davis eyes.
The Nanny poses a mystery: who killed baby sister and, later, the baby's mother? The little boy who is her brother or Davis, the family's nanny for two generations? By the denouement, things become abundantly clear. Ah, what these Nanny diaries could tell!
Wendy Craig and Jill Bennett star as the boy's hapless mom and aunt. Jimmy Sangster (Curse of Frankenstein) directs with effective, mounting suspense. Pamela Franklin is in this and young William Dix is solid as the creepy kid.
The type of British thriller frequently referred to as "crisp" in the States, The Nanny will still grip most viewers today, and is one of Bette Davis' best post-Baby Jane motion pictures.
Labels:
Bette Davis,
Bette Davis The Nanny,
Gay blog,
Gay Movie Icons,
LGBT blog,
Video Beaverhausen: The Nanny
Wednesday, April 22, 2015
Buddy B and Baby J
I recently purchased the deluxe edition of Whatever Happened to Baby Jane on video. Movie on one disc, extras on the other. The extras include "Bette & Joan: Blind Ambition", "All About Bette" and "Film Profie: Joan Crawford." Best, however, are videos of Bette singing the rarely heard "twisting" song to promo the film on the Andy Williams Show and the Behind the Scenes making of the movie (though not too revealing).
I've seen this film a million times. it seems, by now and know every line by heart. "I was cleanin' out the bird cage and he just... flew out the winda!" And "But ya are, Blanche! Ya are in that chair!"
When I was a kid, I made a super-8 short with my brother, Bobby, and cousin, Patrick, that I entitled
"Whatever Happened to Bobby Jane." I was nuts about this film since I first saw it at the US movie theater on Main Street in Paterson, NJ. My grandmother, a big Bette and Joan fan, took me. After the film, I remember her sighing, "Oh, they used to be so glamorous!" But she did enjoy the storyline. She covered my eyes (too late) during the rat on a tray scene.
Baby Jane is the ultimate sibling rivalry film that everyone (except, maybe sibling-free "only" children) can relate to. Did you know it was loosely based on the true-life story of Gypsy Rose Lee and Baby June? If you watch Gypsy, you'll see the similarity in a vague way.
Jane, a child star, fades as her sister, Blanche, becomes a movie star. There is an accident in which Blanche is crippled for life and an increasingly crazy and alcoholic Jane becomes her abusive "care-giver"
Much drama ensues from this premise and there's lots of suspense. Most of it over-the-top! I saw Baby Jane once at the free outdoor summer screenings in Bryant Park. It was so much fun to see it with a packed park, on the lawn with a picnic basket and wine. There were obviously a number of newbies in the crowd who gasped and groaned at every twist and turn. Big applause for Elvira when she decides not to get on the bus and heads back to the house. Big gasp when she comes to a bad end.
This film cannot be remade because it's perfect already, as demonstrated by the mediocre tv-movie with the Redgrave sisters. A recent rumor on Facebook stated that Jerry Seinfeld would produce a musical spoof of Baby Jane on Broadway to star Bette Midler as Baby Jane and Barbra Streisand as Blanche. Unfortunately, it was all a lie. What a shame.
I've seen this film a million times. it seems, by now and know every line by heart. "I was cleanin' out the bird cage and he just... flew out the winda!" And "But ya are, Blanche! Ya are in that chair!"
When I was a kid, I made a super-8 short with my brother, Bobby, and cousin, Patrick, that I entitled
"Whatever Happened to Bobby Jane." I was nuts about this film since I first saw it at the US movie theater on Main Street in Paterson, NJ. My grandmother, a big Bette and Joan fan, took me. After the film, I remember her sighing, "Oh, they used to be so glamorous!" But she did enjoy the storyline. She covered my eyes (too late) during the rat on a tray scene.
Baby Jane is the ultimate sibling rivalry film that everyone (except, maybe sibling-free "only" children) can relate to. Did you know it was loosely based on the true-life story of Gypsy Rose Lee and Baby June? If you watch Gypsy, you'll see the similarity in a vague way.
Jane, a child star, fades as her sister, Blanche, becomes a movie star. There is an accident in which Blanche is crippled for life and an increasingly crazy and alcoholic Jane becomes her abusive "care-giver"
Much drama ensues from this premise and there's lots of suspense. Most of it over-the-top! I saw Baby Jane once at the free outdoor summer screenings in Bryant Park. It was so much fun to see it with a packed park, on the lawn with a picnic basket and wine. There were obviously a number of newbies in the crowd who gasped and groaned at every twist and turn. Big applause for Elvira when she decides not to get on the bus and heads back to the house. Big gasp when she comes to a bad end.
This film cannot be remade because it's perfect already, as demonstrated by the mediocre tv-movie with the Redgrave sisters. A recent rumor on Facebook stated that Jerry Seinfeld would produce a musical spoof of Baby Jane on Broadway to star Bette Midler as Baby Jane and Barbra Streisand as Blanche. Unfortunately, it was all a lie. What a shame.
Labels:
Bette Davis,
Buddy Beaverhausen,
Gay Blog,
Joan Crawfford,
Leave It to Beaverhausen,
LGBT blog,
What Ever Happened to Baby Jane?
Sunday, April 19, 2015
Female Sidekicks
My Return to Grey Gardens post made me think about women sidekicks. I mean, Little Edie surely is the star of Grey Gardens and Big Edie her sidekick.
Famously, when I think on this subject (which, believe me, I'm oft to do), I remember -- first and foremost -- Lucy and Ethel. And after that, I really cannot think of a lot until Absolutely Fabulous came along in the '90s!
I suppose, Marilyn Monroe might have been Jane Russell's sidekick in Gentlemen Prefer Blondes (1953). Or was that the other way around?
And a case can definitely be made for Laurie Metcalf being a sidekick to Roseanne Barr on Roseanne (1988-97). I'm sure there are a ton of sitcom women with their female sidekicks that I'm just not thinking about. Frankly, I don't watch a lot of tv.
Joan Crawford was Bette Davis' sidekick in Whatever Happened to Baby Jane. And kick her in the side she did. Anne Baxter was Bette's sidekick in All About Eve (1950). Or was the sidekick in that film Thelma Ritter or maybe Celeste Holm?
Crawford had a number of sidekicks. Eve Arden in Mildred Pierce, for one. Judy Geeson in Berserk.
Diane Baker in Strait-Jacket. Debbie Reynolds' sidekick was Shelly Winters in What's the Matter \with Helen. Olivia DeHavilland was Bette Davis' sidekick in Hush, Hush, Sweet Charlotte
Can you think of others? Love to see your responses. Remember, this blog is interactive-friendly.
Famously, when I think on this subject (which, believe me, I'm oft to do), I remember -- first and foremost -- Lucy and Ethel. And after that, I really cannot think of a lot until Absolutely Fabulous came along in the '90s!
I suppose, Marilyn Monroe might have been Jane Russell's sidekick in Gentlemen Prefer Blondes (1953). Or was that the other way around?
And a case can definitely be made for Laurie Metcalf being a sidekick to Roseanne Barr on Roseanne (1988-97). I'm sure there are a ton of sitcom women with their female sidekicks that I'm just not thinking about. Frankly, I don't watch a lot of tv.
Joan Crawford was Bette Davis' sidekick in Whatever Happened to Baby Jane. And kick her in the side she did. Anne Baxter was Bette's sidekick in All About Eve (1950). Or was the sidekick in that film Thelma Ritter or maybe Celeste Holm?
Crawford had a number of sidekicks. Eve Arden in Mildred Pierce, for one. Judy Geeson in Berserk.
Diane Baker in Strait-Jacket. Debbie Reynolds' sidekick was Shelly Winters in What's the Matter \with Helen. Olivia DeHavilland was Bette Davis' sidekick in Hush, Hush, Sweet Charlotte
Can you think of others? Love to see your responses. Remember, this blog is interactive-friendly.
Labels:
Absolutely Fabulous,
Bette Davis,
Gay blog,
Grey Grdens,
Joan Crawfford,
LGBT blog,
Lucille Ball,
Marilyn Monroe
Tuesday, March 31, 2015
Faye Brays About Mommie Dearest
Tina, bring her the axe! Faye Dunaway's about to settle some old scores, perhaps, in writing a proposed memoir about her behind-the-scenes recollections of the making of Mommie Dearest. Undoubtedly, Ms. D will have many scores to settle indeed.
The actress has firmly, fiercely refused to discuss this debacle with the press, at times defensive, rude or just walking out on her interviewers. Now, however, I assume old girl needs money, as she's expected to blab all about Mommie Dearest, the movie.
The Best Actress Oscar winner (for Network) was a major star from the late '60s (Bonnie and Clyde, 1967; The Thomas Crown Affair '68) through the '70s. (Chinatown, Network, The Towering Inferno, Eyes of Laura Mars). That her star status came to a crashing thud is often attributed to her assaying the role of Joan Crawford in the Frank Perry screen adaptiaton of Christina Crawford's controversial and best-selling tell-all about her famous mother. Although long a camp classic best remembered for Dunaway's over-the-top, no-holds-barred performance, the film was a critical disaster for the most part (though Pauline Kael, at the time, called Dunaway's acting "startling, ferocious," with which I suppose no one would disagree). Obviously, director Perry must have given her the word that she could not go "too big" in her portrayal.
Anne Bancroft was originally set to star but pulled out when she got a load of script.
But was the failure of Mommie Dearest truly the cause of Faye Dunaway's becoming washed up in its tumultuous wake? I suspect it was the excuse the film industry needed to wash their hands of the tempestuous star. If Dunaway pens her book, she will no doubt cast blame on this one film. She was long known, however, for being radically late on sets, angering her co-stars and directors, and generally being a pain in the ass to everyone around her. The death blow may have been dealt by none other than Bette Davis who, on The Tonight Show, complained about her The Disappearance of Aimee (tv-movie) co-star. Bette called Faye out on her unprofessional behavior, keeping cast and crew waiting for hours with her extreme tardiness. "She's well named," Davis told host Johnny Carson. "Many a time I wish I could have done away with her!"
So, we await with much interest as to what this recollection will have to say. The news broke big-time about the book deal today at Querty.com. I anticipate it wil be a bitch fest, if completed, with Faye laying blame all over the place. "Bad scripts, bad directors, I can't keep making them work...," as Faye explains in the film. Let the character assassinations begin in the name of saving face.
The actress has firmly, fiercely refused to discuss this debacle with the press, at times defensive, rude or just walking out on her interviewers. Now, however, I assume old girl needs money, as she's expected to blab all about Mommie Dearest, the movie.
The Best Actress Oscar winner (for Network) was a major star from the late '60s (Bonnie and Clyde, 1967; The Thomas Crown Affair '68) through the '70s. (Chinatown, Network, The Towering Inferno, Eyes of Laura Mars). That her star status came to a crashing thud is often attributed to her assaying the role of Joan Crawford in the Frank Perry screen adaptiaton of Christina Crawford's controversial and best-selling tell-all about her famous mother. Although long a camp classic best remembered for Dunaway's over-the-top, no-holds-barred performance, the film was a critical disaster for the most part (though Pauline Kael, at the time, called Dunaway's acting "startling, ferocious," with which I suppose no one would disagree). Obviously, director Perry must have given her the word that she could not go "too big" in her portrayal.
Anne Bancroft was originally set to star but pulled out when she got a load of script.
But was the failure of Mommie Dearest truly the cause of Faye Dunaway's becoming washed up in its tumultuous wake? I suspect it was the excuse the film industry needed to wash their hands of the tempestuous star. If Dunaway pens her book, she will no doubt cast blame on this one film. She was long known, however, for being radically late on sets, angering her co-stars and directors, and generally being a pain in the ass to everyone around her. The death blow may have been dealt by none other than Bette Davis who, on The Tonight Show, complained about her The Disappearance of Aimee (tv-movie) co-star. Bette called Faye out on her unprofessional behavior, keeping cast and crew waiting for hours with her extreme tardiness. "She's well named," Davis told host Johnny Carson. "Many a time I wish I could have done away with her!"
So, we await with much interest as to what this recollection will have to say. The news broke big-time about the book deal today at Querty.com. I anticipate it wil be a bitch fest, if completed, with Faye laying blame all over the place. "Bad scripts, bad directors, I can't keep making them work...," as Faye explains in the film. Let the character assassinations begin in the name of saving face.
Labels:
Bette Davis,
Buddy Beaverhausen,
Faye Dunaway,
Gay Gossip,
Joan Crawfford,
Leave It to Beaverhausen,
LGBT blog,
Mommie Dearest
Saturday, October 25, 2014
Video Beaverhausen: Where Love Has Gone
Where Love Has Gone (1964), based on the Harold Robbins novel (loosely based on the Lana Turner scandal), became a film camp classic almost instantly, though it was drubbed by critics of the time of its release. I recently purchased the dvd at Barnes & Noble and watched it this afternoon.
It's high-gloss in the style of Ross Hunter producing Douglas Sirk a'la the Lana-starring Imitation of Life, but WLHG was produced by Joseph E. Levine and directed (awkwardly) by Edward Dmytryk (who previously brought tacky back with Walk on the Wild Side and The Carpetbaggers).
On the set, Susan Hayward was so rude to Bette Davis, the two screen divas barely spoke. In the film, Bette plays Susan's overbearing mother with great panache. It's obvious that body doubles are used as much as possible.
This is trashy high camp with lots of glam to glaze things over. Joey Heatherton's in it, so is Mike Connors and, in supporting parts, DeForrest Kelly (Star Trek) and eternal co-stars Whit Bissell, Anne Seymour and Jane Greer.
Please check this out, camp lovers especially. From the moment Jack Jones begins crooning the title song, you know this is wallower's heaven.
Labels:
Bette Davis,
Dj Buddy Beaverhausen,
Gay Blog,
Leave It to Beaverhausen,
LGBT blog,
Susan Hayward,
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Thursday, June 19, 2014
Beaverhausen Book Nook: What Ever Happened to Baby Jane?
Recently, I saw a woman on the subway reading this book. It seems Grand Central Publishing sneaked it into bookstores last Halloween.
I bought the book earlier in the week at a local Barnes & Noble (available also at Amazon.com).
I had a paperback edition of this in the '90s, lent it to someone and never had it returned. As I recalled, it's a well-written book though no literary classic by any means. It serves as a good blueprint for the iconic 1962 movie starring Bette Davis and Joan Crawford.
The film, though, was certainly not slavishly adopted from the book though it respectfully was faithful to it. The Elvira character is named Mrs Stitt, for one thing. but most events occur pretty much in keeping with Farrell's novel. Jane is a brunette but I think director Henry Aldrich wanted the character to suggest Shirley Temple.
The most fabulous things about this new edition of the book, which is a handsome trade paperback, are the revealing foreword and the six previously unpublished Farrell short stories included. One of them is "What Ever Happened to Cousin Charlotte?" The basis for Hush, Hush....
Mitch Douglas wrote the intro. He was Farrell's literary agent (as well as one for Tennessee Williams, Arthur Miller and many other prominent authors). As Douglas explains, the movie idea was first endorsed by Joan Crawford who saw the commercial potential, especially if pitted against Hollywood rival Bette Davis, whom she recommended. Crawford saw herself as the less talented/ more beautiful Blanche against the more-talented but less comely Jane, which is interesting.
The "Divine Feud," of course, spilled on to the set with many examples described, entertainingly, in the foreword.
Favorite story from Douglas, who, right after Crawford's death, met Davis with a reporter from The National Enquirer. He asked Davis how she felt about Crawford's death.
Davis shot from the hip: "She was a cunt!"
Douglas explained the man with him was from the Enquirer.
"But she was always on time," Davis added.
And so is this book for the still-growing legion of fans for this film.
I bought the book earlier in the week at a local Barnes & Noble (available also at Amazon.com).
I had a paperback edition of this in the '90s, lent it to someone and never had it returned. As I recalled, it's a well-written book though no literary classic by any means. It serves as a good blueprint for the iconic 1962 movie starring Bette Davis and Joan Crawford.
The film, though, was certainly not slavishly adopted from the book though it respectfully was faithful to it. The Elvira character is named Mrs Stitt, for one thing. but most events occur pretty much in keeping with Farrell's novel. Jane is a brunette but I think director Henry Aldrich wanted the character to suggest Shirley Temple.
The most fabulous things about this new edition of the book, which is a handsome trade paperback, are the revealing foreword and the six previously unpublished Farrell short stories included. One of them is "What Ever Happened to Cousin Charlotte?" The basis for Hush, Hush....
Mitch Douglas wrote the intro. He was Farrell's literary agent (as well as one for Tennessee Williams, Arthur Miller and many other prominent authors). As Douglas explains, the movie idea was first endorsed by Joan Crawford who saw the commercial potential, especially if pitted against Hollywood rival Bette Davis, whom she recommended. Crawford saw herself as the less talented/ more beautiful Blanche against the more-talented but less comely Jane, which is interesting.
The "Divine Feud," of course, spilled on to the set with many examples described, entertainingly, in the foreword.
Favorite story from Douglas, who, right after Crawford's death, met Davis with a reporter from The National Enquirer. He asked Davis how she felt about Crawford's death.
Davis shot from the hip: "She was a cunt!"
Douglas explained the man with him was from the Enquirer.
"But she was always on time," Davis added.
And so is this book for the still-growing legion of fans for this film.
Labels:
Bette Davis,
Gay Blog,
Henry Farrell Whatever Hapened to Baby Jane. Dj Buddy Beaverhausen,
Joan Crawford,
Leave it to Beaverhausen,
LGBT blog,
What Ever Happened to Baby Jane?
Sunday, May 11, 2014
Diva Dish: Special Mother's Day Edition
Someday, we're sure Lourdes Leon, Madonna's daughter, will be hard pressed for cash and will publish a tell-all about her Material Mom. I know she blogged about how happy she was to be brought on tour with her mom so she could fold her undies but I think there was something a bit passive-aggressive about that remark.
Of course, the original tell-all in this genre is Christina Crawford's Mommie Dearest. It was a best-seller in its time (1978) and that insisted a film be made of it. In case you're from Mars, "Tina" claims her adoptive mother was an abusive, schizophrenic alcoholic. It was, of course, published after Joan Crawford's death and Christina (and brother Christopher) were left out of Joan's will. Two other adopted daughters (not represented in the film for legal reasons) deny the portrayal of Joan in Christina's book.
It immediately became a camp classic (as is the movie with braying Faye Dunaway). At the time, my lover and I threw a very well attended party with the book as its theme. I went to The Erotic Bakery (then in Greenwich Village) to buy a customized cake. I asked for a wire hanger across a butt. "GET OUT!" the clerk howled at me. "We do NOT cater to child abusers, pervert!" (In other words: No wire hangers! EVER!") They had cakes showing two penises and a naked ass, but a wire hanger was too much for their delicate sensibilities. Finally, I just had a conventional Village bakery create it.
Crawford inspired a whole new genre of memoirs from silver-screen divas' daughters. Bette Davis' daughter, B.D. Hyman (married name) wrote My Mother's Keeper in 1985. Basically, it's another character assassination by an ungrateful Hollywood brat. This book is about an egomaniacal and self-centered mother who smokes, curses and drinks too much. As if we ever imagined Bette Davis to be any different in the first place.
A friend's late husband was a neighbor of Bette Davis and her family at their Connecticut home. He told me he often played with B.D. when he was 5 - 7 years old, and that Bette Davis would sometimes appear in her backyard to offer the kiddies milk and home-baked cookies.
The memoir, My Mother's Keeper, was rushed into publication shortly after Bette suffered a debilitating stroke. The indomitable Ms Davis recovered, however.
"Dear Hyman," Bette wrote in a public response. "I am now utterly confused as to who you are or what your way of life is. Your book is a glaring lack of loyalty and thanks for the very privileged life I feel you have been given. If my memory serves me right, I've been your keeper all these many years. I am continuing to do so, as my name has made your book about me a success." Ms Davis subsequently disinherited B.D.
Lana Turner's daughter, Cheryl Crane, wrote Detour, a memoir of her famous mom. In the 1988 book, Cheryl, an out-and-proud lesbian, is very supportive of her mom. It focuses largely on the Johnny Stompanato murder scandal. Cheryl defends Lana and takes responsibility for the stabbing.
As late as 2013, Sachi Parker, daughter of Shirley MacLaine, dissed her mother for a publishing deal in the scandal-ridden Lucky Me. Ms MacLaine responded to the press:
“I'm shocked and heartbroken that my daughter would make statements about me that are virtually all fiction. I've praised her lovingly and truthfully in my own autobiographies.
“I'm sorry to see such a dishonest, opportunistic effort from my daughter for whom I've only ever wanted the best."
And, turnabout being fair play, Nancy Spungen's mother, Deborah, published And I Don't Want to Live This Life after her daughter was stabbed to death by Sex Pistol Sid Vicious at the Chelsea Hotel in New York City. Remember: dead celebrity children can be exploited for cash too!
So Happy Mother's Day, everyone, from Buddy Beaverhausen! More diva dish next weekend!
Of course, the original tell-all in this genre is Christina Crawford's Mommie Dearest. It was a best-seller in its time (1978) and that insisted a film be made of it. In case you're from Mars, "Tina" claims her adoptive mother was an abusive, schizophrenic alcoholic. It was, of course, published after Joan Crawford's death and Christina (and brother Christopher) were left out of Joan's will. Two other adopted daughters (not represented in the film for legal reasons) deny the portrayal of Joan in Christina's book.
It immediately became a camp classic (as is the movie with braying Faye Dunaway). At the time, my lover and I threw a very well attended party with the book as its theme. I went to The Erotic Bakery (then in Greenwich Village) to buy a customized cake. I asked for a wire hanger across a butt. "GET OUT!" the clerk howled at me. "We do NOT cater to child abusers, pervert!" (In other words: No wire hangers! EVER!") They had cakes showing two penises and a naked ass, but a wire hanger was too much for their delicate sensibilities. Finally, I just had a conventional Village bakery create it.
Crawford inspired a whole new genre of memoirs from silver-screen divas' daughters. Bette Davis' daughter, B.D. Hyman (married name) wrote My Mother's Keeper in 1985. Basically, it's another character assassination by an ungrateful Hollywood brat. This book is about an egomaniacal and self-centered mother who smokes, curses and drinks too much. As if we ever imagined Bette Davis to be any different in the first place.
A friend's late husband was a neighbor of Bette Davis and her family at their Connecticut home. He told me he often played with B.D. when he was 5 - 7 years old, and that Bette Davis would sometimes appear in her backyard to offer the kiddies milk and home-baked cookies.
The memoir, My Mother's Keeper, was rushed into publication shortly after Bette suffered a debilitating stroke. The indomitable Ms Davis recovered, however.
"Dear Hyman," Bette wrote in a public response. "I am now utterly confused as to who you are or what your way of life is. Your book is a glaring lack of loyalty and thanks for the very privileged life I feel you have been given. If my memory serves me right, I've been your keeper all these many years. I am continuing to do so, as my name has made your book about me a success." Ms Davis subsequently disinherited B.D.
Lana Turner's daughter, Cheryl Crane, wrote Detour, a memoir of her famous mom. In the 1988 book, Cheryl, an out-and-proud lesbian, is very supportive of her mom. It focuses largely on the Johnny Stompanato murder scandal. Cheryl defends Lana and takes responsibility for the stabbing.
As late as 2013, Sachi Parker, daughter of Shirley MacLaine, dissed her mother for a publishing deal in the scandal-ridden Lucky Me. Ms MacLaine responded to the press:
“I'm shocked and heartbroken that my daughter would make statements about me that are virtually all fiction. I've praised her lovingly and truthfully in my own autobiographies.
“I'm sorry to see such a dishonest, opportunistic effort from my daughter for whom I've only ever wanted the best."
And, turnabout being fair play, Nancy Spungen's mother, Deborah, published And I Don't Want to Live This Life after her daughter was stabbed to death by Sex Pistol Sid Vicious at the Chelsea Hotel in New York City. Remember: dead celebrity children can be exploited for cash too!
So Happy Mother's Day, everyone, from Buddy Beaverhausen! More diva dish next weekend!
Labels:
Bette Davis,
Dj Buddy B's Diva Dish,
Dj Buddy Beaverhausen,
Gay Blog,
Joan Crawford,
Lana Turner,
Leave it to Beaverhausen,
LGBT Gossip,
Mother's Day,
Shirley MacLaine
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