Exclusive Q&A with Sarah Dash ~ part 2 of 2

In part 2 of my Q&A with the one and only, inimitable Sarah Dash, we discuss her work with Keith Richards and The Rolling Stones, Megatone Records and Sylvester, the possibility of a Labelle reunion, and much more. On a personal note, I first met Sarah after a show at the Laurie Beechman. I had just come back from Floida after my mom had died. When my good friend, Kevin Scott Hall, invited me, he told me it would be good to get back out. He was right. During her patter, Sarah talked about her own mom dying and it touched me deeply. At the meet-&-greet after the show, we talked about our mothers' passings. There were tears and hugs and I was surprised at how warm and loving Sarah was. I indeed felt Lucky Tonight that evening.

Sarah Dash: Are you all right?
Buddy Beaverhausen: [Recovering from a coughing fit.] Just my sinuses. They're really bad today. I read on Twitter you have a cold and...pink eye?!
SD: Yes. I thought I had a cold but it's allergies. And, of course, at 54 Below, I was crying tears of joy and rubbing my eyes from the paper napkins on the table, so that might be how I picked up pink eye. The other thing is, at the hotel, I was sleeping on feather pillows which I'm allergic to. But I was so tired when I got into NYC, I just crashed!
BB: I heard you didn't even take your make-up off.
SD: Well, that was after the show, on Sunday, I just passed out with a full face of make-up on after talking to my sister on the phone. I was zonked! And when I woke up, I was like "What's wrong with my eyes?"
BB: Aww, that's horrible.
SD: I'm usually very conscientious about my health and my skin care and my scalp.
BB: Well, it paid off. You certainly don't look 70 by any means.
SD: Thanks, I think it's paid off. 
BB: I recently turned 63, so maybe I need some tips from you.
SD: No way! Baby, you look good! I thought you were 40-something.
BB: Bless you!

BB: I understand you'll be singing with Keith Richards again. He's said your version of "Time Is on My Side" is the best he's ever heard. Please tell us about working with Mr Richards and with The Rolling Stones.

SD: You can hear my voice on The Stones' album Steel Wheels. I love working with Keith and, yes, we have something new planned for everyone but I can't say much about that right now. I've recorded three times with Keith, and all these songs are being made available on cd. His newest, Crosseyed Heart, is being released this month sometime. I don't get to do a duet with him this time. Nora Jones does, and Aaron Neville as well. But getting to sing and work with Keith, who is amazing because he's a musical genius. Keith is an amazing guitar player and I cherish my experiences of working on the stage with him. He embraces many musical styles that I sing: jazz, blues, rock. I'm doing symphonic music now, singing Duke Ellington. I had my first live concert with a philharmonic, 50-piece orchestra this past July.
   But, getting back to Keith, when you sing with him, you get to work with the best and to shine with the best of your ability. He's a master musician and there are only a few who compare.

BB: Keith is also good friends with another '60s girl-group diva, Ronnie Spector of The Ronettes. (I think they're neighbors.) Have you and she ever met?

SD: We've never met but I admire her so very much. I haven't seen her onstage since her Brooklyn Fox days. As a talent and a unique voice, ever since I was with The Bluebelles. But also as an incredibly strong woman, to have gone through everything she's gone through and come out alive. No woman should be treated the way she was. She is a true spokeswoman for domestic abuse and I've dealt with that myself but nothing near the level of what she did.

BB: "Low Down Dirty...," "Lucky Tonight," the now-classic "Sinner Man." What was it like working with Patrick Cowley and Megatone Records, and Sylvester?

SD: I didn't actually work with Patrick because he was sick at the time. I dealt with his life partner. I remember his last name was Blackman. But he pioneered the San Francisco disco sound and we were originally to do an album together. But Blackman actually produced "Lucky Tonight" and Sylvester came to the studio and was asked to sing back-up.

BB: What was it like to work with Sylvester?

SD: He had been following Labelle when we got back from London. And he just loved the group, and he especially adored Patti and did his version of her song, "You Are My Friend." I loved him and he always came to our shows. And, once the group split up, Sylvester and I got closer and he even gave me pieces of his clothing. He was so much bigger than me, I could wear his tops as dresses. We toured some of the discos together. I love and miss him very much. When he died was right around the time my mother did, so I didn't get to see him, but Patti did.

BB: Is Labelle going to be like another great '70s group, ABBA, shutting the door on any future concerts together now matter how much money is offered, or is that not totally out of the question?

SD: I say never say never. Who knows? I heard that a producer told one of the other girls "You shouldn't be doing this and that." I recently heard from a producer interested in another reunion. But I haven't yet had the chance to talk with Nona and Patti about that.
BB: Wow, that's fresh news!
SD: See? I told you I treat you as family! I think a lot of our fans would want that and it still surprises me how much love they have for us as a group. I'm not sure if we'd be like ABBA, I'm not sure if we'll ever do another show, but I certainly won't say no.

BB: What can fans expect from Sarah Dash in the near future? And when can New Yorkers see you perform again?
SD: I'm writing a play about my life called Sarah Dash: One Woman, and I have a producer named Curtis King, who has produced people like Ruby Dee. I hope to be showcasing my artwork. I'm the Trenton musical ambassador for the Grammys and I have many other things on my plate now. And I'm preparing to get back in the studio and record again.

BB: You have such a long and stunning career and my blog consists of LGBT readers around the world, '60s girl-group fans, disco fans, Labelle fans. Any final shout outs to all of them?
SD: Thank you so much for your support, the amazing love you've shown. Thank you, Buddy Beaverhausen for this interview, thanks to Melvin Johnson and my management, and God bless you all. Much love!

Billboard's Dance/Club Hits of August 10

For the Billboard magazine week ending August 10, Cher's new single (with remixes), "Woman's World," usurps the #1 spot on the Dance/Club chart, as anticipated! It's really Cher's world; we just live in it.

Inaya Day will "Make Some Noise" if she damn well pleases. The perennial house music diva is back, up at #4 with Dj Escape on that number.

Plumb's "Need You Now" is now nestled in the top ten at 10th place with Kylie close behind as "Skirt" shakes it way to #11.  And "Soothe My Soul," by the UK's very durable band over the decades, Depeche Mode, is up at #12 . UK's equally durable Pet Shop Boys this week find their "Vocal" in 14th place and rising.

Upwardly mobile, though currently much lower on the Club chart, are the new Lady Bunny song (who was a Lady long before Gaga), "Take Me Up High" by an unfunny, serious Bunny as house music diva; Yoko Ono's "Walking on Thin Ice" 2013 driven by top-notch remixes from Dave Aude and Ralphi Rosario; and the 2013 remixes of Sylvester's "Mighty Real."

Billboard Beefs Up

Finally, there's some hope on Billboard's dance-music horizon now that "A Woman's World" by Cher is in the #2 position for the club chart ending August 3. It's poised to top the chart next week.

The always remarkable Inaya Day and Dj Escape's "Make Some Noise," is a true floor-filler, up at 6th place this week, while Jennifer Lopez's "Live It Up" is down at #8. The JLo tune peaked in first place, and was at #5 last outing. Fading but still strong.

Ciara's "Body Party," also a previous #1 (last week, in fact), steeply fell to 11th place but it was nice to find the girl charting for the dancefloors again.

"Need You Now" by Christian Contemporary singer, Plumb (nee Tiffany Arbuckle Lee), features strong remixes by RedTop, WaWa and Dave Aude. It's upwardly mobile on the dance/club chart at #15, as is venerable Depeche Mode's "Save My Soul," now in the current 16th spot.

Kylie Minogue works her "Skirt" into the 17th spot, and she's always a welcome presence on the gay club scene, this being no exception.  In the 18th spot, we have Anton Clamaran's "This Is My Goodbye" featuring diva Fenja. It's a pop-friendly high-NRG, trancey number that will seduce you to the dancefloor. Unfortunately, it peaked on Billboard at #13 last week, so it's falling now. Still, it's recommended. (Radio edit posted below.)

Dance/ Soul music idol Chaka Khan's "It's Not Over" truly deserved to be a #1. It peaked at a respectable #7 and is now at  #20.

And "Vocal" by Pet Shop Boys just cracks the Top 25 this week in the 25th spot, but moving up for sure.

Meanwhile, bubbling up in the Top 50, Lady Bunny gets even higher (#43) with the fabulous, ascending "Take Me Up High." New, 2013 remixes of Yoko Ono's "Walking on Thin Ice" (#47) and Sylvester's perennial disco classic and gay anthem, "(You Make Me Feel) Mighty Real," is at #50, rounding out the chart.

Bob Esty Part 3: Martha Wash and Raquel Welch

Montage courtesy of Jandry

Bob Esty is truly a legend in his own time. A producer, songwriter and arranger who worked with Casablanca Records from 1977 to 1980, he has collaborated alongside major divas like Donna Summer, Cher, Barbra Streisand, Martha Wash, Raquel Welch and many more. It is my sincerest pleasure to have spoken with Bob over the phone when he generously consented to give me the following, exclusive interview. I have divided it into parts for easier reader consumption and digestion because it is such a delicious treat. 

In Part 3, we talk about eBay, Roberta Kelly, the Sharon Tate murder guest house, his association with The Weather Girls (on Columbia Records) and, especially, the divine, beloved club diva, Miss Martha Wash, as well as Raquel Welch. 

* * *

Bob Esty: I moved to Beverly Hills in 1975 in the guest house of the Sharon Tate murder house. It was owned by Rudy Altobelli, my manager at the time. And I discovered eBay, so I could gather some things I'd lost over time. And a friend of mine has a big, famous vinyl store on Hollywood Boulevard, As the Record Turns. And he would give me back some of my own records.

DJ Buddy Beaverhausen: Wow, so hard to imagine you on eBay trying to buy back your own stuff!

BE: Yeah! But I was able to get my recordings back together [that way].

When I returned from Munich, I had the tracks and vocals from Roberta [Kelly]. Still had to orchestrate the tracks and record the gospel choir. Sent it to Giorgio and side one, I guess, he didn't like my mix. He muted some of the orchestration. He put some synthesizers on the first side, which I hated originally but who cares!

DJBB: Now, is it true that "It's Raining Men" was originally written for Donna Summer? And that "Bad Girls" was written for Cher, but she passed on it?

BE: Yes on "Raining Men." I'm not sure on the second song because I wasn't yet acquainted with Cher at that time. But, basically, Paul Jabara wrote every song for Donna. The demo we made of "It's Raining Men" was for Donna Summer. [Bob supplied the guide vocals a'la Donna! ~~ DJBB]

DJBB: I read on your Facebook Page https://www.facebook.com/pages/Disco-Citizens-The-Work-of-Bob-Esty/428987683811992?fref=ts that you had a great time working with Martha Wash and Izora Armstead.

BE: Yes. But Paul didn't come down to the session because he didn't really know The Weather Girls; he wanted Donna. I saw Martha & Izora in San Francisco, performing the previous year, maybe '78.

DJBB: Was that with Sylvester or after?

BE: With Sylvester! Paul Jabara called to say, "Somebody called and wants us to try out Two Tons of Fun for 'It's Raining Men.' But I don't know this group and never saw Sylvester.'"  But I said, "Wow! They're perfect!" Paul thought they were so-so, so I had to go to the studio without him. (Obviously, I did a lot of things without him anyway!)

Now, when we were recording "It's Raining Men," Martha Wash happened to stumble on her way out of the studio control room. Izora was cackling! "What you doin', child?" Izora Whitehead yelled out, "We've got a song to do!" And Martha started laughing also.

DJBB: Have you heard Martha Wash's new album, by the way?

BE: No, I've heard just one track.

DJBB: Do you know which one that was?

BE: I don't remember.

DJBB: It's really an exceptional album. I play it constantly now. By the way, I actually got to meet and kiss Ms Wash on the cheek, after her show at BB King's, in New York last year

BE: She is a marvelous woman and terrific singer and very strong and opinionated. She was a little difficult to work with in some ways but she had such a great sense of humor! I know she's gotten easier over time. Did you hear "We're Gonna Win (One World)"?

DJBB: Love that song.

BE: Martha Wash sang that at an event in Northern California and Randy Jackson, who was producing that (and who just produced the musical about Janis Joplin that is fabulous)....

DJBB: I know that show's hot, out on the West Coast, and I hope it comes this way....

BE: Martha sang that song ["One World"] with a choir.

DJBB: I had, maybe, a little insight into what you say about her feisty yet sweet personality when I kissed her after her show at BB King's. My friend was supposed to snap a photo of my kissing her after she signed my cd, on my cell phone. She very generously agreed to this and I explained this was for my blog.

So, my lips were glued to her cheek. And my friend couldn't quite get the phone to take the picture at first. So, she was shouting out, "Werq it!" to him. It was an uncomfortable moment all around! But good humored, really.

[Bob laughs.]

DJBB: He did manage to take our picture right after she said that!

BE: Well, of course! She's Martha Wash after all!

DJBB: Now, the song, "Hot Love," that Cher did for the Foxes soundtrack, sounds like "Hot Stuff" mixed with "Bad Girls"....

BE: Because, I think, it was written by Donna.

And, by the way, going back to Thank God, It's Friday, I would just like to say that I did two tracks with D.C. LaRue, two tracks with Paul [Jabara] and "Last Dance." And I went to that movie's set to see a couple of set-ups. I met Jeff Goldblum, who was not only very nice but can play amazing jazz piano. So, it was very much fun to go to the filming but it was a low-budget disco film and Saturday Night Fever was already out, so the distributor just slapped it out there.

DJBB: Though it's now quite a cult favorite.

Want to talk a little bit about Raquel Welch and "This Girl's Back in Town?"

BE: Ok. Also written for Donna Summer. I have cassettes of her vocals and mine as well as my guide vocals for Raquel.

DJBB: Over the years, Raquel Welch's number has become quite a cult hit internationally.

BE: Well, you have to know this history. Paul Jabara wrote a musical, Rachael Lily Rosenbloom, that was produced in 1973 and starred Ellen Green, though Paul was hoping to get Bette Midler, but she turned it down at the last minute. It was about a Barbra Streisand wannabe from Brooklyn.

DJBB: That's so funny because I recently saw I'll Eat You Last on Broadway, starring Bette, and a lot of that show revolves around Barbra Streisand.

BE: Yes, of course! Everything does! [Laughs.] Paul was involved in the original production of Hair, and Donna was later in the German production, so that's how he knew her.... That's the reason he had more of a personal relationship with her. Now, Barbra and Neil Bogart and Cher and Aaron Russo (who was a monster) were in "the colony".  I was living in New York at the time, before moving back out to L.A., which is when I met Paul Jabara. There was an audition for Hair, which Ellen Green was about to star in, and I went because we had the same manager. And I met Paul, and he explained the story of Rachael Lily to me.

Now, the legend of Rachael became Raquel [Welch] for Paul when he met her while co-starring in the movie, with Honky Tonk Freeway [in 1981].  That's how he imagined her. So, I had set up my tracks in Paul's living room, once I'd moved back to L.A. Raquel had her choreographer with her, who was going to work with her in Vegas, but who really didn't want to work with her, obviously. So, he spent the whole time basically battering Raquel verbally during rehearsal, making her cry every day, so she would fire him. Those were the circumstances under which I met Raquel!

She loved what I did on "This Girl's Back in Town," and at the time always wore black granny glasses with a long, black coat. She looked beautiful but tried to hide that, I think. And Paul was there, with the guide vocal we did, acting out the part for her for the video in his mind, pitching the song! And after she saw that, she whispered to me, as I was walking her to her car, "I hope you're producing it; not Paul. I mean, I know Paul and he's wonderful but he's drunk now."

I told her, "I just co-wrote it."

Below, Bob & Raquel, extended mix:



More to come with Part 4, the final chapter of my Bob Esty interview....

Happy Belated Birthday, Sylvester!

God, how did I miss out on this? It was in reading Joe.My.God.'s blog that I was alerted to this serious disco oversight. It was Sylvester's birthday three days ago! Happy Birthday in Heaven, Sylvester!

I saw Sylvester last, just two years before he died, performing in Key West. He was marvelous. I met him after the show. He was huge! He hugged me, and I think my head was right beneath his chest! (He was wearing heels, of course.)



Just weeks ago, I kissed his ex back-up girl, the divine Martha Wash, after seeing her perform at BB King's. Ah, Sylvester, if only you were alive today. You would have loved the show.

You are missed. Seriously missed on the dance music scene.

PS: I love Sandra's tribute song:

Dear Santa (Bring Me A Man This Christmas)

The Weather Girls were originally known as Two Tons of Fun. Under that name, they began as Sylvester's back-up girls, then went solo with disco hits of their own: "Earth Can Be Just Like Heaven" (1980); "Just Us" (1980 and also made #29 on the US R&B chart); and the Hi-NRG song "I Got the Feeling" in 1981.

The Weather Girls was composed of Martha Wash (whose solo career continues till this day) and the late, great Izora Whitehead.

A holiday follow-up to the phenomenal, "It's Raining Men," "Dear Santa" was also written by Paul Jabara ("Last Dance" by Donna Summer) and Paul Shaffer (who makes a cameo vocal as Santa in this song).

The video for this number was made in 1983 and, obviously, on a shoestring budget. Hence, the hilarious dancers with big, feathered '80s hair. Martha and Izora may have been hard to fit, but their costumes herein look off-the-rack from some bargain store; rather threadbare-looking pantsuits with scarves. Ick!

You may suffer through a brief ad before the video, but it'll be worth it. Also, it's a busy-looking Youtube page, so I recommend enlarging the video window on your screens.

Season's greetings! And roll out the bear-skin rugs by your fireplaces cuz Santa may have a man in his sack for you, too!