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Showing posts with label Chaka Khan. Show all posts
Showing posts with label Chaka Khan. Show all posts
Wednesday, April 2, 2014
Frankie Knuckles Does Chaka Khan
Continuing my tribute to the great Frankie Knuckles, I wanted to share one of his most cited and most enjoyed remixes by clubgoers. Chaka Khan, "Ain't Nobody." "Blown away by the passing of the Godfather of House Music," Ms Khan said. "He's remixing Heaven now. Love Always."
Labels:
Chaka Khan,
Dj Buddy Beaverhausen,
Frankie Knuckles,
Gay Blog,
Leave it to Beaverhausen,
LGBT blog
Friday, July 26, 2013
Billboard Beefs Up
Finally, there's some hope on Billboard's dance-music horizon now that "A Woman's World" by Cher is in the #2 position for the club chart ending August 3. It's poised to top the chart next week.
The always remarkable Inaya Day and Dj Escape's "Make Some Noise," is a true floor-filler, up at 6th place this week, while Jennifer Lopez's "Live It Up" is down at #8. The JLo tune peaked in first place, and was at #5 last outing. Fading but still strong.
Ciara's "Body Party," also a previous #1 (last week, in fact), steeply fell to 11th place but it was nice to find the girl charting for the dancefloors again.
"Need You Now" by Christian Contemporary singer, Plumb (nee Tiffany Arbuckle Lee), features strong remixes by RedTop, WaWa and Dave Aude. It's upwardly mobile on the dance/club chart at #15, as is venerable Depeche Mode's "Save My Soul," now in the current 16th spot.
Kylie Minogue works her "Skirt" into the 17th spot, and she's always a welcome presence on the gay club scene, this being no exception. In the 18th spot, we have Anton Clamaran's "This Is My Goodbye" featuring diva Fenja. It's a pop-friendly high-NRG, trancey number that will seduce you to the dancefloor. Unfortunately, it peaked on Billboard at #13 last week, so it's falling now. Still, it's recommended. (Radio edit posted below.)
Dance/ Soul music idol Chaka Khan's "It's Not Over" truly deserved to be a #1. It peaked at a respectable #7 and is now at #20.
And "Vocal" by Pet Shop Boys just cracks the Top 25 this week in the 25th spot, but moving up for sure.
Meanwhile, bubbling up in the Top 50, Lady Bunny gets even higher (#43) with the fabulous, ascending "Take Me Up High." New, 2013 remixes of Yoko Ono's "Walking on Thin Ice" (#47) and Sylvester's perennial disco classic and gay anthem, "(You Make Me Feel) Mighty Real," is at #50, rounding out the chart.
The always remarkable Inaya Day and Dj Escape's "Make Some Noise," is a true floor-filler, up at 6th place this week, while Jennifer Lopez's "Live It Up" is down at #8. The JLo tune peaked in first place, and was at #5 last outing. Fading but still strong.
Ciara's "Body Party," also a previous #1 (last week, in fact), steeply fell to 11th place but it was nice to find the girl charting for the dancefloors again.
"Need You Now" by Christian Contemporary singer, Plumb (nee Tiffany Arbuckle Lee), features strong remixes by RedTop, WaWa and Dave Aude. It's upwardly mobile on the dance/club chart at #15, as is venerable Depeche Mode's "Save My Soul," now in the current 16th spot.
Kylie Minogue works her "Skirt" into the 17th spot, and she's always a welcome presence on the gay club scene, this being no exception. In the 18th spot, we have Anton Clamaran's "This Is My Goodbye" featuring diva Fenja. It's a pop-friendly high-NRG, trancey number that will seduce you to the dancefloor. Unfortunately, it peaked on Billboard at #13 last week, so it's falling now. Still, it's recommended. (Radio edit posted below.)
Dance/ Soul music idol Chaka Khan's "It's Not Over" truly deserved to be a #1. It peaked at a respectable #7 and is now at #20.
And "Vocal" by Pet Shop Boys just cracks the Top 25 this week in the 25th spot, but moving up for sure.
Meanwhile, bubbling up in the Top 50, Lady Bunny gets even higher (#43) with the fabulous, ascending "Take Me Up High." New, 2013 remixes of Yoko Ono's "Walking on Thin Ice" (#47) and Sylvester's perennial disco classic and gay anthem, "(You Make Me Feel) Mighty Real," is at #50, rounding out the chart.
Labels:
Anton Clamaran,
Billboard,
Chaka Khan,
Cher,
Depeche Mode,
Dj Buddy Beaverhausen,
Gay and Lesbian,
Gay Blog,
Inaya Day,
Kylie Minogue,
Lady Bunny,
Leave it to Beaverhausen,
Pet Shop Boys,
plumb,
Sylvester,
Yoko Ono
Thursday, June 13, 2013
Billboard Dance Chart's Poor Show for Pride
Sadly, so little to enthuse and inspire us this Gay Pride Month on the week's Billboard Dance/Club Play Songs chart.
Daft Punk with Pharell Williams drop to 4th place this week after holding on to the #1 spot with the disco-funky "Get Lucky."
Tony Moran and Deborah Cooper's "Heartbeat" temporarily hit a wall, stalled at #6. But Abigail's "Surrender" soars from 12th place to #9, which is very good news for lovers of quality, melodic dance music. This is the real deal!
And, finally, the fantastic Chaka Khan is back with a brand new hit on the Billboard Dance chart, sharply rising from last week's 28th place, up 7 spots to #21. Again, Ralphi Rosario's remix is tops.
Get out and dance on your Pride Day, wherever you are. Maybe you've already done so and, in that case, I hope you had a great time. Let me know what really brought you up to boogie on the floor, everyone! Don't be shy to comment on this blog!
And thank you Italy, Australia, Ukraine, Ghana, Ukraine, Philippines for your increased viewership over this past week. Happy LGBT Pride to all! Madison, if you're reading this, check my reply on your blog comment.
Peace, love and disco! Over and out.
Daft Punk with Pharell Williams drop to 4th place this week after holding on to the #1 spot with the disco-funky "Get Lucky."
Tony Moran and Deborah Cooper's "Heartbeat" temporarily hit a wall, stalled at #6. But Abigail's "Surrender" soars from 12th place to #9, which is very good news for lovers of quality, melodic dance music. This is the real deal!
And, finally, the fantastic Chaka Khan is back with a brand new hit on the Billboard Dance chart, sharply rising from last week's 28th place, up 7 spots to #21. Again, Ralphi Rosario's remix is tops.
Get out and dance on your Pride Day, wherever you are. Maybe you've already done so and, in that case, I hope you had a great time. Let me know what really brought you up to boogie on the floor, everyone! Don't be shy to comment on this blog!
And thank you Italy, Australia, Ukraine, Ghana, Ukraine, Philippines for your increased viewership over this past week. Happy LGBT Pride to all! Madison, if you're reading this, check my reply on your blog comment.
Peace, love and disco! Over and out.
Labels:
Abigail,
Chaka Khan,
Daft Punk,
Deborah Cooper,
Dj Buddy Beaverhausen,
Gay and Lesbian,
Gay Pride Month,
Leave it to Beaverhausen,
Ralphi Rosario,
Tony Moran
Thursday, June 6, 2013
Buddy B's Dish on the Latest Dance, Disco and Diva Tunes in Time for Pride
Believe me, nobody's going to accuse the latest Tony Moran/Deborah Cooper dance song, "Heartbeat," of being verbose. And its minimalist lyrics are not all that's indicative of the laziness inherent in modern house music; it has virtually no melody and relies too heavily on its calculated and clumsy beat. This producer and singer are capable of so much better, together and individually; we know because they've done so in the past. And this Heartbeat is half-heartedly cynical, released during international Pride month and hoping to exploit the credentials of its talents to a target audience. It is #6 on the Billboard dance chart, and got there in eight weeks. I think that's a sad statement about the current dance-music scene and the power of payola.
Yet, there is hope! The disco-funky "Get Lucky," by Daft Punk featuring vocals by Pharrell, hangs onto the #1 Billboard club/dance position, which is a very promising sign. In the #12 spot: the return of the simply sublime Abigail, the UK's brilliant hiNRG songbird, here in a kind of trancey, dreamy mode. The Bouvier & Barona-produced number is called "Surrender" and I believe you'll surrender to it if you give it a listen at the YouTube link below.
Canada's groovy diva, Annie, returns with a catchy dance tune, "Tube Stops and Lonely Hearts." Another biggie on Dj Buddy Beaverhausen's current play list. I love the FNM remix especially. Also rather beautiful is a promo I received for the song "Disco Compilation," a well-produced number with a virtual wall of sound surrounding songstress Serafina Steer's strong vocals. I highly recommend it and will be spinning it, especially the Jarvis Cocker remix.
I also received a dance remix of Agnetha Faltskog, essentially a bootleg remix, from her new album, A. http://djbuddybeaverhausen.blogspot.com/2013/05/agnetha-faltskogs-a.html The song is, surprisingly, "When You Love Someone," a mild ballad on the album, but it works in this "Alias" mix as what could be a club floor filler.
Finally, there are no words to describe how fierce the Ralphi Rosario remix rework of Chaka Khan's new "It's Not Over" is! It will positively lift you to the disco floor.
Love, peace and disco! And welcome, to the island Mauritius, to my blog!
Yet, there is hope! The disco-funky "Get Lucky," by Daft Punk featuring vocals by Pharrell, hangs onto the #1 Billboard club/dance position, which is a very promising sign. In the #12 spot: the return of the simply sublime Abigail, the UK's brilliant hiNRG songbird, here in a kind of trancey, dreamy mode. The Bouvier & Barona-produced number is called "Surrender" and I believe you'll surrender to it if you give it a listen at the YouTube link below.
Canada's groovy diva, Annie, returns with a catchy dance tune, "Tube Stops and Lonely Hearts." Another biggie on Dj Buddy Beaverhausen's current play list. I love the FNM remix especially. Also rather beautiful is a promo I received for the song "Disco Compilation," a well-produced number with a virtual wall of sound surrounding songstress Serafina Steer's strong vocals. I highly recommend it and will be spinning it, especially the Jarvis Cocker remix.
I also received a dance remix of Agnetha Faltskog, essentially a bootleg remix, from her new album, A. http://djbuddybeaverhausen.blogspot.com/2013/05/agnetha-faltskogs-a.html The song is, surprisingly, "When You Love Someone," a mild ballad on the album, but it works in this "Alias" mix as what could be a club floor filler.
Finally, there are no words to describe how fierce the Ralphi Rosario remix rework of Chaka Khan's new "It's Not Over" is! It will positively lift you to the disco floor.
Love, peace and disco! And welcome, to the island Mauritius, to my blog!
Labels:
Abigail,
Agnetha Faltskog,
Annie,
Chaka Khan,
Deborah Cooper,
Dj Buddy Beaverhausen,
Gay and Lesbian,
Gay Pride,
Leave it to Beaverhausen,
Ralphi Rosario,
Tony Moran
Monday, May 20, 2013
Gay Pride Anthem 2013?
With Memorial Day weekend nigh, Gay Pride events will be launched, lasting through the month of June. And what will the club anthems be on the floats, decks and dancefloors this year? Who will our Pride 2013 divas be?
Christina Aguilera's strong pipes send "Let There Be Love" up the charts. It is #2 on Billboard's Dance/Club and looks bound for #1 next week despite its less-than-memorable melody. The very same criticism can be said about dance mixes of Kelly Clarkson's club charter, "People Like Us." The tune is meant to be anthemic, yet all that really registers is its hook. There is something cold and robotic about this "anthem," too. Kelly's vocals are strong but punched across without much genuine feeling; a technical exercise.
Sometimes, it's all in the remix. Chris Cox works wonders with Kat Deluna's "Stars," letting the young diva's vocals skim above the haunting electronica that's sure to draw you to the dancefloor. The disco-influenced Jump Smokers remix of Rod Stewart's "Sexual Religion" also brings that '70s "diva" back to the limelight. Nice work, Jump Smokers! And people, do you want Rod's body? Still?
Celebrating 40 amazing years in the industry, Chaka Khan has a new release to drop just in time for Pride. And her new body's looking very sexy, indeed. "It's Not Over" is a well-written, soulful tune with a powerful hook that is bound to chart and make you want to move onto the dancefloor. Ralphi Rosario's remix is distinctly the cream of the crop. And, yes, when Chaka socks it to you, it's from the gut.
But the true club divas rule. Ultra Nate's latest tune, "Everybody Loves the Night" is a dancefloor-designed beauty produced and mixed by Brinsley Evans, RedTop, Bill Coleman and Count DeMoney with back-up vocals by Inaya Day, joe DNA, Lisa Molina, & Toni Seawright. Irresistible!
Inaya Day has her own new club song out, done with Dj Escape, "Make Some Noise!" And she does make noise. Beautifully. These are the divas who may dominate this year's Pride around the world. Check them out. And download. MP3s available from Amazon.com.
It's time to party!
Christina Aguilera's strong pipes send "Let There Be Love" up the charts. It is #2 on Billboard's Dance/Club and looks bound for #1 next week despite its less-than-memorable melody. The very same criticism can be said about dance mixes of Kelly Clarkson's club charter, "People Like Us." The tune is meant to be anthemic, yet all that really registers is its hook. There is something cold and robotic about this "anthem," too. Kelly's vocals are strong but punched across without much genuine feeling; a technical exercise.
Sometimes, it's all in the remix. Chris Cox works wonders with Kat Deluna's "Stars," letting the young diva's vocals skim above the haunting electronica that's sure to draw you to the dancefloor. The disco-influenced Jump Smokers remix of Rod Stewart's "Sexual Religion" also brings that '70s "diva" back to the limelight. Nice work, Jump Smokers! And people, do you want Rod's body? Still?
Celebrating 40 amazing years in the industry, Chaka Khan has a new release to drop just in time for Pride. And her new body's looking very sexy, indeed. "It's Not Over" is a well-written, soulful tune with a powerful hook that is bound to chart and make you want to move onto the dancefloor. Ralphi Rosario's remix is distinctly the cream of the crop. And, yes, when Chaka socks it to you, it's from the gut.
But the true club divas rule. Ultra Nate's latest tune, "Everybody Loves the Night" is a dancefloor-designed beauty produced and mixed by Brinsley Evans, RedTop, Bill Coleman and Count DeMoney with back-up vocals by Inaya Day, joe DNA, Lisa Molina, & Toni Seawright. Irresistible!
Inaya Day has her own new club song out, done with Dj Escape, "Make Some Noise!" And she does make noise. Beautifully. These are the divas who may dominate this year's Pride around the world. Check them out. And download. MP3s available from Amazon.com.
It's time to party!
Labels:
Chaka Khan,
Chris Cox,
Christina Aguilera,
Dj Escape,
Gay and Lesbian,
Gay Pride,
Inaya Day,
Kat Deluna,
Kelly Clarkson,
Ralphi Rosario,
Rod Stewart,
Ultra Nate
Monday, December 19, 2011
VH1 Divas Get a Soul Overload
Of tonight's (oft to be rerun) special, VH1 Divas Celebrates Soul, you'll have a rollicking good time at kick-off but may well want to turn in early. It's not merely the duration of the 2-hour special (including copious commercials) but, after the first 45-minutes, the best of it has mostly passed.
And what was Miss Independent, Kelly Clarkson in the flesh, doing there? Ok, she's got a great pop voice but soul? Kelly, tragically, looked so bovine, I was checking her misguidedly clinging outfits for signs of udders. I know Kelly thinks everyone just thinks she's fat but, reality check, Miss Kelly, forearms don't lie! The meat on those babies shouldn't swing like pendulums do as you fist pump the air, all right?
On the other hand, Misses Mary J. Blige and Jennifer Hudson ("JHud") stunned in their thin, trim looks in a variety of sexy, becoming outfits. Weight Watchers, I'm there (again)! These three ladies opened the show in the strongest portion that frequently seemed like an elaborate plug for the upcoming film release of "Joyous Noise," starring the odd coupling of Queen Latifah and Dolly Parton. Those two amazing broads, who were the first set of emcees, are always a joy for me to hear and see. A class act even if, at this point, Dolly and Joan Rivers seem to be sharing the same face.
Early on, soul music and the history of it, was a steady focus. A thread throughout, talking heads discuss soul music, including archival interviwees like Smokey Robinson, Isaac Hayes, Teddy Pendergrass, Sade and Curtis Mayfield amongst others.
While certain divas like Erykah ("badass") Badu and Marsha Ambrosius (who seemed taxed beyond her abilities) simply annoy, the roster for the night was chockful of the divine: Chaka Khan, Estelle, Mavis Staples, Martha Reeves (now Vandella-less, her voice a glorious wreck) and a dottering Wanda Jackson who, nonetheless, proved to be a delight (assisted by a nurturing Sharon Jones).
Brooklyn's own Miss Jones was, in fact, a major beacon of light throughout this show, as her cult phenom is on the cusp of breakthrough as major artist. Her first appearance stunned in a fauxhawk that resembled Divine's hair in the later part of Female Trouble. The UK impressed with the voices of Florence (Welch) and The Machine, and Jessie J. Dear Florence looks like the love child of Vanessa Redgrave and David Bowie while Miss J pranced about in a variety of punk glad rags in true rock-star fashion.
But, before halftime, the show became tedious, unfocused and even off-topic. The Amy Winehouse portion was a pandering snoozefest and even Florence and the Machine seemed to deliver a half-hearted cover of "Back to Black."
The whole thing ended oddly, abruptly and without real closure with its ode to classic Chicago soul that included a great version of Fontella Bass' "Rescue Me," rendered by Sharon Jones and others, and Chaka Khan & Mary J. Blige doing a rousing "Ain't Nobody" for finale. Chaka's powerful pipes have not been diminished by time and Blige treats her singing partner respectfully. Unlike that VH1 Divas show past where Whitney Houston trotted Ms Khan out for "I'm Every Woman," simply to walk all over her by having the more amped mike in hand, reducing the great Chaka to back-up girl status. Feeling the wrath of Khan, Whitney?
Prior to the Chicago segment, though, was the song that could have -- and should have -- coalesced and ended this show if the editing department was on the ball. It was Jennifer Hudson's Night of Your Life. A new number, magnificently soulful, very diva-esque, and begging for remixes to spill it onto the dance floor. I'll bet those mixes are already under wraps and in the can. Soul divas are still happening, and their beat goes on, beyond this uneven special that, nonetheless, brought together a brilliant array of talent.
And what was Miss Independent, Kelly Clarkson in the flesh, doing there? Ok, she's got a great pop voice but soul? Kelly, tragically, looked so bovine, I was checking her misguidedly clinging outfits for signs of udders. I know Kelly thinks everyone just thinks she's fat but, reality check, Miss Kelly, forearms don't lie! The meat on those babies shouldn't swing like pendulums do as you fist pump the air, all right?
On the other hand, Misses Mary J. Blige and Jennifer Hudson ("JHud") stunned in their thin, trim looks in a variety of sexy, becoming outfits. Weight Watchers, I'm there (again)! These three ladies opened the show in the strongest portion that frequently seemed like an elaborate plug for the upcoming film release of "Joyous Noise," starring the odd coupling of Queen Latifah and Dolly Parton. Those two amazing broads, who were the first set of emcees, are always a joy for me to hear and see. A class act even if, at this point, Dolly and Joan Rivers seem to be sharing the same face.
Early on, soul music and the history of it, was a steady focus. A thread throughout, talking heads discuss soul music, including archival interviwees like Smokey Robinson, Isaac Hayes, Teddy Pendergrass, Sade and Curtis Mayfield amongst others.
While certain divas like Erykah ("badass") Badu and Marsha Ambrosius (who seemed taxed beyond her abilities) simply annoy, the roster for the night was chockful of the divine: Chaka Khan, Estelle, Mavis Staples, Martha Reeves (now Vandella-less, her voice a glorious wreck) and a dottering Wanda Jackson who, nonetheless, proved to be a delight (assisted by a nurturing Sharon Jones).
Brooklyn's own Miss Jones was, in fact, a major beacon of light throughout this show, as her cult phenom is on the cusp of breakthrough as major artist. Her first appearance stunned in a fauxhawk that resembled Divine's hair in the later part of Female Trouble. The UK impressed with the voices of Florence (Welch) and The Machine, and Jessie J. Dear Florence looks like the love child of Vanessa Redgrave and David Bowie while Miss J pranced about in a variety of punk glad rags in true rock-star fashion.
But, before halftime, the show became tedious, unfocused and even off-topic. The Amy Winehouse portion was a pandering snoozefest and even Florence and the Machine seemed to deliver a half-hearted cover of "Back to Black."
The whole thing ended oddly, abruptly and without real closure with its ode to classic Chicago soul that included a great version of Fontella Bass' "Rescue Me," rendered by Sharon Jones and others, and Chaka Khan & Mary J. Blige doing a rousing "Ain't Nobody" for finale. Chaka's powerful pipes have not been diminished by time and Blige treats her singing partner respectfully. Unlike that VH1 Divas show past where Whitney Houston trotted Ms Khan out for "I'm Every Woman," simply to walk all over her by having the more amped mike in hand, reducing the great Chaka to back-up girl status. Feeling the wrath of Khan, Whitney?
Prior to the Chicago segment, though, was the song that could have -- and should have -- coalesced and ended this show if the editing department was on the ball. It was Jennifer Hudson's Night of Your Life. A new number, magnificently soulful, very diva-esque, and begging for remixes to spill it onto the dance floor. I'll bet those mixes are already under wraps and in the can. Soul divas are still happening, and their beat goes on, beyond this uneven special that, nonetheless, brought together a brilliant array of talent.
Labels:
Chaka Khan,
Dj Buddy Beaverhausen,
Florence and the Machine,
Gay and Lesbian,
Kelly Clarkson,
Mary J Blige,
Sharon Jones and the Dap Kings,
VH1 Divas Celebrates Soul
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