Showing posts with label Florence and the Machine. Show all posts
Showing posts with label Florence and the Machine. Show all posts

Sunday, June 7, 2015

Audio Beaverhausen: Florence + the Machine's Big, Blue, Beautiful

How Big, How Blue, How Beautiful is Florence + the Machine's new album. It is a beauty, displaying a new maturity in style, composition and production. A stunning, soulful 11-track compilation, Florence and the band are squarely in the territory of British divas like Adele and the late Amy Winehouse. Blissful.

Big, Blue, Beautiful is anthemic for me right now, as I'm vacationing at my cousins' home in Cape Coral, Florida, where sky meets ocean over and along a sprawling landscape. Big, blue and beautiful indeed. I'm sure I'll forever associate this music with my fun- and love-filled week. Also, there's a '60s prog-rock feel to the new album that's brilliantly tres retro/progresso that all generations here are interested in. Love it.

Mid-tempo, Motownish with occasional Spectoresque flourishes, How Big, How Blue, How Beautiful, produced by Markus Dravs, is a gem of a pop album. LGBT fans, in particular, will adore Florence Welch in full classy-diva/rock-star mode. It also makes a very dramatic breaking-up album if you need to gift someone with a hint.

"Ship to Wreck" is a heartbreaking opening track. The title song is wonderful and catchy as all get-out. Love "Queen of Peace." Personally ironic, the penultimate track is "St. Jude," my mother's patron saint. She lived not far from here in southern Florida, on the Gulf. Even more ironic, it is followed by the gospel-tinged song "Mother" that closes the album.

The cd version of How Big contains copious production credits, liner notes and pictures.








Friday, January 20, 2012

Dance/Club Play Top 25, Billboard 1/28 Chart

Let's work our way up the chart this week as I comment on the tracks I deem noteworthy. For the full club play top 25, go to Billboard.com.

Always a pleasure to see Erasure represented, and this week their song, "Be with You," nicely skips to #22 from 24th place last week. Gravitonas hangs in there at #23 with "Everybody Dance." By the way, the Swedish electro duo is the latest incarnation of producer/songwriter Alexander Bard of Army Of Lovers ("Crucified") and BWO fame. Gravitonas' vocalist Andreas Ohm is joined by Russian pop star Roma Kenga on this track. Good stuff!

The dreamy "Drifting" by Plumb en-trances as it drifts up from 23 to snag spot #20, while the Ultra Nate-meets-Destiny Child's Michelle Williams number, "Waiting on You" does its disco damnedest as it jumps from last week's 21st spot to #17. Lots of nice remixes to choose from for this one, too.

Traci Lords' "Last Drag" peaked at fourth place. It was at 10 last week, and now finds itself parked at a still-respectable #16. Lady Gaga drops to sixth place with the rousing "Marry the Night" (my favorite track off the "Born This Way" album), having captured the numero uno position last time we took a look. Rising from #9 to #7 is the sticks-in-the-head dance track, "Let Me Be Myself" by Rosabel featuring the divine club diva, Tamara Wallace.

"Shake It Out," Florence + the Machine, shaking it up to #4. Brilliant party song, brilliant band, glad to see it doing so well! Up one spot as well, Gloria Estefan's "Hotel Nacional," swinging Dr Buzzard-style with the #1 spot a real possibility at this point.

But this week's #1 song (and diva) is none other than "If It Wasn't for Love" sung by Miss Deborah Cox. I fell in love with this Janice Robinson-penned number from the start, before it entered Billboard's chart. Hello, Deborah; so nice to have you back where you belong! (You so deserve your spotlight.)

By the way, big thanks and kisses out to Slovenia! (You guys are crazy!) And love all around this world to all my friends, readers and party people. Until next week, keep on dancing!

Monday, December 19, 2011

VH1 Divas Get a Soul Overload

Of tonight's (oft to be rerun) special, VH1 Divas Celebrates Soul, you'll have a rollicking good time at kick-off but may well want to turn in early. It's not merely the duration of the 2-hour special (including copious commercials) but, after the first 45-minutes, the best of it has mostly passed.

And what was Miss Independent, Kelly Clarkson in the flesh, doing there? Ok, she's got a great pop voice but soul? Kelly, tragically, looked so bovine, I was checking her misguidedly clinging outfits for signs of udders. I know Kelly thinks everyone just thinks she's fat but, reality check, Miss Kelly, forearms don't lie! The meat on those babies shouldn't swing like pendulums do as you fist pump the air, all right?

On the other hand, Misses Mary J. Blige and Jennifer Hudson ("JHud") stunned in their thin, trim looks in a variety of sexy, becoming outfits. Weight Watchers, I'm there (again)! These three ladies opened the show in the strongest portion that frequently seemed like an elaborate plug for the upcoming film release of "Joyous Noise," starring the odd coupling of Queen Latifah and Dolly Parton. Those two amazing broads, who were the first set of emcees, are always a joy for me to hear and see. A class act even if, at this point, Dolly and Joan Rivers seem to be sharing the same face.

Early on, soul music and the history of it, was a steady focus. A thread throughout, talking heads discuss soul music, including archival interviwees like Smokey Robinson, Isaac Hayes, Teddy Pendergrass, Sade and Curtis Mayfield amongst others.

While certain divas like Erykah ("badass") Badu and Marsha Ambrosius (who seemed taxed beyond her abilities) simply annoy, the roster for the night was chockful of the divine: Chaka Khan, Estelle, Mavis Staples, Martha Reeves (now Vandella-less, her voice a glorious wreck) and a dottering Wanda Jackson who, nonetheless, proved to be a delight (assisted by a nurturing Sharon Jones).

Brooklyn's own Miss Jones was, in fact, a major beacon of light throughout this show, as her cult phenom is on the cusp of breakthrough as major artist. Her first appearance stunned in a fauxhawk that resembled Divine's hair in the later part of Female Trouble. The UK impressed with the voices of Florence (Welch) and The Machine, and Jessie J. Dear Florence looks like the love child of Vanessa Redgrave and David Bowie while Miss J pranced about in a variety of punk glad rags in true rock-star fashion.

But, before halftime, the show became tedious, unfocused and even off-topic. The Amy Winehouse portion was a pandering snoozefest and even Florence and the Machine seemed to deliver a half-hearted cover of "Back to Black."

The whole thing ended oddly, abruptly and without real closure with its ode to classic Chicago soul that included a great version of Fontella Bass' "Rescue Me," rendered by Sharon Jones and others, and Chaka Khan & Mary J. Blige doing a rousing "Ain't Nobody" for finale. Chaka's powerful pipes have not been diminished by time and Blige treats her singing partner respectfully. Unlike that VH1 Divas show past where Whitney Houston trotted Ms Khan out for "I'm Every Woman," simply to walk all over her by having the more amped mike in hand, reducing the great Chaka to back-up girl status. Feeling the wrath of Khan, Whitney?

Prior to the Chicago segment, though, was the song that could have -- and should have -- coalesced and ended this show if the editing department was on the ball. It was Jennifer Hudson's Night of Your Life. A new number, magnificently soulful, very diva-esque, and begging for remixes to spill it onto the dance floor. I'll bet those mixes are already under wraps and in the can. Soul divas are still happening, and their beat goes on, beyond this uneven special that, nonetheless, brought together a brilliant array of talent.

Thursday, December 15, 2011

Chart Chat, Billboard Dance /Club Hits Dec. 15, 2011

Deborah Cox is back, big time, on Billboard! Not only that, she's returned to the club music chart with a fantastic, new song written for her by Janice Robinson. That's diva-to-diva, party people, as Janice is best known in dance-music circles as the voice that fronted Livin' Joy in the '90s, on the amazing song, "Dreamer." Now, for those too young to recall, Livin' Joy was a house music group from Italy who released two very successful dance hits: "Dreamer" and "Don't Stop Movin'." (Tameka Starr, however, replaced Janice, who left the group for a solo career, on the latter number.)

"If It Wasn't for Love" is a powerful song with a melody that stays in your head. Cox's voice has never sounded better. It shot up nine points from last week alone and is currently in the #18 spot. Kudos to Deborah and Janice, and congratulations! Don't be surprised, everybody, if Ms Cox takes this all the way up to #1. It's a killer tune!

The club mix by Mixin' Marc & Tony Svejda can be found below, via Youtube. Support our great LGBT-supportive artists by legally downloading their music. "If It Wasn't for Love" can be officially downloaded from iTunes.

Florence & the Machine, who will appear Monday (Dec. 19) on VH-1 Divas Celebrates Soul, nationally in the USA, follows in the next slot (#19) with "Shake It Out," up from 26. Another good show!

Miss Tamara Wallace, singing with Rosabel, goes up to 21 with the exciting "Let Me Be Myself" while, at 22, Cirque du Soleil and Zarkana's "Whenever" stalls from last week.

LeAnn Rimes is up again this week with "Give," at #13, and, as I said last time, the Almighty remix is the way to go with this one. They've done wonders with Missy Rimes before and this is no exception, everybody. Give it a whirl. (On the dance floor, that is.)

The Top Ten this week is brightened by some recent entries doing well. Erika Jayne's "Party People" enters at 8 from 12 last week. "Last Drag," by ex-porn queen, Traci Lords, hits 6 from 11. The fab Wynter Gordon all the way up at #2 with "Buy My Love" (never mind her love; lots of club djs buying her record, looks like). And Beyonce, who looked overlooked last week, when Enrique Iglesias seemed to have snatched the ring at #1 from her ascent, is now at the numero uno spot after all with the fun floor-filler, "Countdown" while Enrique makes a precipitous drop with "I Like How It Feels," landing in 7th place. Not sure he likes the feel of that!

Until next time, get thee to a club, be yourself, express yourself, lose yourself in the music and remember, music is a great uniter and dance music = love for all of us, all over the world. Cheers!